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: IBORGE PULLER 


eo 
Ame ican Artist's “Leading the 
Calf” Brings Top Price at 
7 Williams Collection Sale. 


‘$34,600 IS NIGHT'S TOTAL | 


aah Shepherdess, Sheep, 
scape,” by Jacque and Michel Sold 
_ for $3,700; a Weir, $1,000. 


hele 


good prices at the first half of the sal¢ 


|} der the auspices of the 


‘the Plaza last evening, 


The work of an American artist, 


te Seaman, agent, for $4,200. 

Before putting this picture up Mr. 
| Kirby. spoke of ‘it as being the finest 
\ example of the work of the artist, whom 
he called the Rembrandt of America. In 
jooking: up the ‘records of Mr. I uller’s 


{his pictures had ever been put up at 


**Romany Girl,’”’ which comes up 
‘the sale this evening, was sold at the 
Thomas B. Clarke sale for $4,100, 
ito Sir James Ross of Montreal, Wen 
‘it was placed in a. public gallery. “Do-~ | 


rette,.”’ which was in the Evans sale, Went | 


to the Corcoran Art Galleries, and “The 
Quadroon,”’ in another sale, was bought 
by George A. Hearn. 

he picture. sold last night shows 4 


boy and a calf coming down 4 country | 


‘hillside, scattered trees on either Side, 
all enveloped in. a golden haze. 

‘“ Shepherdess, Sheep, . and 
seape,”’ 


and Land-| 


There was a good-sized audience aud | 


of the collection of paintings of the late) 
‘Ichabod Williams of New York, sold un- | 
American Art) 
| Association in the grand ballroom of | 


George Fuller, Associate Natfonal Acad- | 
emician, brought the highest price of | 
| the evening, ‘“ Leading the Calf.” soing | 


werk he had found that only-nine of | 
public sale.in New York, which means; 
jin. this country. -Of these 4 study -for: 
in | 


going | 


Land- | 
by Charles Jacque and Georges | 


| 


Michel, which brought the second hish- 


est priee of the evening, 45,700, 
going to Seaman, agent, showed a 
tree in’ the ‘centre of the. scene, 
shepheydess asleep at the, foot of it, 
her sheep lying and standing around 
her. A memorandum on the back by 
Jacque says that Michel sketched in the 
scene and Jacque ‘himself finished the 
picture, 

Interesting in the sales was that. of 
“The Muse of Music,” by J. Alden 


large 


also | 


the | 


Weir. It was bought by the Letus} 
Club for $1,000, and) will adorn its 
| clubhouse, Tt: shows. ‘the dignified, 


seated figure of a young woman with 
serious mien. She wears draperies. of 


white, open at the breast tal 
shoulder. Her well developed ght 
| arm rests upon the arm of her Meret 


‘the hand on her cheek, one finger touc hh- 


ing the wavy auburn. hair. Her left 
hand is thrown over her lute. There 
is a> dark background which brings 


out the figure in strong relief. 
The returns for the fi fty-eight Laas le) 


ee emma 


were ¥34,600. Following is a “list of 
the pictures. bringitig some of. the 
higher prices: 
After the Christening—Matthew > Maris; 
POOR GOT er SLO Mais ee une saps hy Rigen $600 
An Indian Madonna—Ralph A... Blake- 
loca GRBs) Balen .gen op Miya eet aieey 
| Landseape, (water color)--Alexander ET; 
Wyant; Bernet, agent ieee te ep eh ee WD 
Gitlin White—: Alfred Stevens; Knoediler 
ACN Ga BY ater AAR A la aa peter ma ATA a © oh a er tna = ae ae $20 


| of the eollection of $151,2 


|. “A Piller of the. Soil,” by Jacob A Git of | 
Maris, brought the highest price, $12,- Knoedler. . 
0OO; George Muller's Romany Girl © “Byening, 
sold for $10,500, “Millet’s “The  Quar- 
ae veut for $16,500,- and . Corot's [Morning Se Bete e 
ne OOG man t 2 “ , hers ° 4 Se * - wee bee 
pact for xi), a i oem oe cae mee Si si ey | 
The sales of some of the pictures] |A Gal “Meatioslii ana 3 
enetne. lower prices Were as’ interest- Maris; Day “Monticellt and’ 3! 
ne. For instance, | the beautiful little ‘A Venetian. Moon— aie Geiney | 
ie a cae pn ne a cooper 6M had i gee G, ma Pa ye moe | 
ry. attache whic uctioneer 28.01 Hay anit ures ont ey 
mirby told to the great amusement of Scott Fowles... . +41. eh | 
the audience. . it had eomeé to him in a Romany G Ginl—George Fillers a Ea 
note from Mr. Murphy telling the his-| } a Ns 
od OF pe one uf the youngest chil: | pute Gattte= Witten” Maris ‘Seat 
re a ee a URoe Wee sae 
1 of his brush, i ibteamh Minding the Cows — Anton "Mauve; 
| Knoe er & Corves aCe eee ane ea \ 


\ Bietersartiur i "Davi 


| winter Landseape—John enty “iwacint 


man; Seaman, agent... ..c2. 09: pues Boa 
on the ‘Seine— Will. a ‘Low; Ww. D. 
FRDBTOAET Sie dos ecm tye Goa ase eeseas vr hae 


A Sunny, Afternoon: Port of ‘Algiers Ry | 
Samuel Colman; Miss F. R. Wellington 
“The Wissahickon—William- Trast Rich- 
Theodore ¥t. Marburg... se 
Landscape—C. os ‘Hill; Wwilllam, ‘Swift. 


eee eine we ag ee 


i S. Bed bu) Sree Pte ee Nee DOR a aranet pe ie rae ge “2, 650 
(Autumn on the Delaware—Worthington oy 
\ Whittredse: Miss EH. R. Wellington... $a0 
‘Evening, High Sierras, Galifornia—James 
| "David. Smillie; T, Si Williams. .ic...6. 50! 
““ Where Late the Wild Flower Blapmea, 
oe Brown Leaf Liés ’’—Jervis McEntee; 
PB TONS Se Ge Sie) soa) dilnn ake ee, Siniielioh em SORA 
hoa tierce de Medicis in Counsel—Louis 
Emile Adan: Seaman, agéent....:.....5 
| The Heights of .Montmarte—Georges . 
Michel: PCOPMell sick dee hee eee te ice 570 
| Quimper, (water color)—Samuel Colma 4 ‘4 
Ooo W. Kraushaar, i.e i sai cee nye ee 
On Hee Duteh Coast—Frank Mura; Com 
BOT or etate occas Ete ee bl nie ter Ek se wh Weare te ows eae! ae 
The Winning Card—Hgidius ‘van. ba 
borgh: Seaman, agent... 6.6 ber ee es 2 
Rolland Landscape—Salomon Ruisdael; 
1s VA Spam Sy o9 Rec mach 4 Meme hr ea WROTE Gh CRON 
Winter: Holland—Aelbert CuyR: Evite 
TER POAC UNV saab CaP re Give tae Fike a goatee Rua Sane a 
Drawing the Net by Moonlight—Aart van 
der Neer: Bernet; agent. . 1... ey ees S0C 
River in Holiand—Jan van Gover: W. E. 
Benjamin 
Beach at Ssheveningen—Jan van Goyens 
Wis By Benjamin i. eae aie + uaa 


j The remainder and most impantind 
pictures of the collection, including sine 
large Corots, will Be sold at th b. 

| this evening at 8:15 


en nr me ia 


A MARIS PAINTING 
SOLD FOR $12,000 


nY, lg EE 


* Tiller of the Soil’ Leads Bids 
at Williams Closing Sale — 
—Total, $185,865. | 


sew ke lee ee ke ole we we ee oe we we oO 


““ROMANY GIRL” FOR $10,500 
ees 
Millet’s “The Quarriers’” Brings 
Like Price, and a Corot, $9,200 
——“‘Autumn” Fetches $1,550. 


a 


| There was a large audience, spiritea 
" pidding, good prices, and a big total 
j at the closing sale of the Ichabod 7. 
hale collection of paintings last 
evening under the auspices of the Amier- 
jican Art Association at the Plaza, | 
There was a total for the second half age 

275 and a graud ‘phiaio aa a 
| total for the lot of 117 pictures of $i85,- Tn it 
| 865. The pictures bringing the highest ; 
prices went either -to dealers or. solid | 
througn agents. 


man, ie at a ; 


ocdkc Reale: © o 


see we oi 


“his senses, 
as she had wanted 
» she lived, He came 
had been for five 
ina day. sprang into 
‘had been supplying 
but reverses came, and 
told me, as one of his 
that his father had sent 
3 contribution and Kad, 
rv him to come home. 

start for New York the fol- 
‘and wanted him to join me, 
4 his landlady so much that! 
Was paid there would not be 
for passage money. 
im for reasons well known fa 

rtists, but [ could give him | 


vice, and that was that he 
h me and pay the landlady, 
Erpreyed and. money was 


Behe aioe 
reets, with an 
| eabinegh. ROA G 


ra fas Williams itkea artists personally, 
and bought most of his pictures at ally 
time direct from their painters. He 
liked Williamson so well that one day. 
he came to the top-floor studio to make 
@ personal visit. Some of Mura’s pict- 
ae bh scattered about, and it was 
: aoe the trained. eye of the 
began to see things. He didn’t 
oh oa Mage but kept on look- 
who did the 
Mura modestly admitted that. 


BL cihtrath 5h ell, young ‘man,’ said Mr, Will- 
jams, ‘all 1 have to say is that you 
are Wasting your talent here. 1'll buy, 
these as a starter and stake you if 
“you: want Fes go to Europe and study: 
and work. But you’ve got to work.’ 
“This unexpected luck so unsettled, 
Frank that an hour or so later he came 
around to me and begged me to. kick’ 
him hard enough to make sure Maes 
he was Netete or onty dreaming, 

_. “But it was no dream, and present! 


se iat Q | eee went back to the other side. t 


wasn’t long until his good. friend’ did 
“not have to help him, for the pictures 
he (painted brought ample returns. 
‘Later he married the daughter. of a 
| Vaisde euicned member of the Royal 
|| Academy of London, and for years that. 
|| has been his home and work-place. Of 
his later relations with Mr. Williams 
I did not know, because I scarcely knew 
his friend Williamson and did not know: 
‘Mr. Williams at all. 

- “Oh, yes; he settled with his Munich 
landlady, and so handsomely that she 
‘wished some of her other art Uhr aS 
| would leave in the same way.” | aa op 


ve LVELY BIDDING iv 
> WILLIAMS ART SALE 


Qt 1h 


4 n 


: Mare Centres in American 
ae oe Interest Cent : | 


a PiGG<: and hiss 


Pictures at Auction in 
Plaza Ballroom. 


ee TOTAL $34,600 


The first session of the sale of the, 
‘Ichabod T. Williams collection of paint- 
jings, conducted by the American Art ASs- 
sociation, drew a capacity house in the 
‘ballroom of the Plaza last night. It 
‘was the largest crowd seen at a picture 

|auction this season, 

|. The prices did not establish any re- 
'markable records, for the greatest pic- 
tures of the sale appear at to-night’s 

| session, but. the bidding’ was at all times 
lively, and in particular the works by 
American artists sold’ well. 

' The first picture to pass the $1,000 
mark was Albert P. Ryder’s little land- 
\seape, which was sold to M. Knoedier & 
Co. for $1,400, and a picture by George 
| Fuller, andother of our American old 
imasters, brought the top price of the 
evening, going to a buyer represented 
\ by W. W. Seaman, agent, for $4,200. 
This was No. 40 in the catalogue, “TLead- 
ing the Calf,” a ‘large and characteristic 
\painting. An early example of the w ork 


{ 
a Tar 


f the ‘ mpressionist J, Alden 
Weir was bo ght the Lotos Club for 


3 total for the evening was $34,600. | 
t to-night’s sale the much talked about. 
arbizon paintings, including Millet’s 
“Quarriers’ and. Corot’s “Woodman’s’ 
Hut” will be disposed of. 
The list of paintings with names of © 
buyers and prices follows: 


fay 3 
4—-Matthew Maris, “After the 
pe ae M. Knoedler & 


diTaiahce ated ea RRS nee, Reed ph $600 
ce ‘A, Blakelock, ‘An Indian 
adonna’’; G. s. Palipier. AK 410 
Gus th ert PP. Ryder, “The Barn- 
yard’; M. Knoedler PE OO. piers 1,400) 
11—A. H, Wyant, brag a aii ile Otto : 
TROT Ure Bee St BC aM 475 
12--Alfred Stevens, “din in White”; 
Muvenoedler & Cane rs 320 
18—G, Bonnemaison, “The Pool’; M. 
A VER od yin alia ta gota id Ga ASR 800. 
he—Sohannes Bosbooim, “Interior of 
Church: at Alkmaar’ age ae GE 
NIMS MORO ee) alam cor mie 1,250 
1f-——Jiacoh Maris, ‘The Siesta’; M. 
Knoedler ET A aaah Darian Le 330 
18——-Roybet. ‘‘Abduction of Rehasear: 
| Ce SEO NALA ING OOTY 9 en aula ts nce doh ak am 336 
20——-Adoiphe Monticelli, ‘‘Returning 
( from the Fields’; Miss R. H. 
VOL ei A Bent oy ie caso oes . 2,600 
21—Arthur B.  Daviés,  ‘“‘Sisters’’: | 
Alexander Morton............ 575} 


22—J. H. Twachtman, ‘““Winter Land- 

seape’; W. W. Seaman, agent. 600 

}25—Will, MH. Low, “On the Seine’; 

| We'D: srpalkers 50.00 os es 300 

26—Samuel Colman, ‘A Sunny After- 

f hoon: Port of Algiers’; Miks 

I i. ee Weellime tom 2 ve ete ee 385 

28—W. TT. Richards,’ ‘The Wissa- 
hickon’’: Theo, H, Marburg... 3850 

§—C, bee fou. ‘“Tiandscape’?; William 


f 
81—Prosper Marilhat, “Old . Tower 
“Be Cagney’; Hugh s. Williams... 710 
ee 2—-Paul Jean Clays, ‘Morning on 
the Scheldt’’?; S, Taylor... +. 2,650 
'85—Worthington Whittredge, “Aue 
} tumn on the Délaware”’; Miss 
Be RE VWOTIEN EGON iy gis se aac is 350 
36—James D. Smillie, ‘Evening, 
High Sierras, California’; 7. 
8. Williams..,... 4. Make warned 500 | 
7-—Jervis McEntes, ‘Where late the 
wild 9 flower bloomed, the 
brown leaf lies’; H. V. Jones. 4607 
38—C. E. Jacque and G, Michel, \ 
“Shepherdess, Sheep and Land- | 
scape’; W. W. Seaman, agent 3,700 | 
| 
j 


89-—L, EK. Adan, “Catherine de 
Medicis in Counsel’; W. 

MEOAMBNs  VABSUIEA sissy o alae gears ou Dee 
40-—George Puller, » ‘Leading the 

Calif’: W. W. Seaman, agent... 4,200° 
eae Alden Weir, “The Muse of 


Music’; Lotog. Club. 1,000; 
42—-Georres Michel, “The Heights of ; 
Montmartre’: Mr, Cornell, 570 } 
43—Samuel Colman, “Quimper? } te. 4 
FR EAU RET ape ga itis 4 aise ant eaes $25 
l44-Frank Mura, ‘On the Dutch 
Coast's) Mri Cornell yc. aes 875 


|50—Heldius van Tilborgh, ‘“‘The Win- 
ning Card’; W..W. Seaman, 
Ceesalk all alan ie ae Pen MO ac aiy oe 125 teen oe 309 | 
jil—-Salomon ‘Ruisdael, “Holland 
Landscape’; W. EH. Benjamin, 410 
§3—-Aelbert Guyp, . “Winter:  Hol- 
land? Trvine -Brokaw 2s. Lit 
b4—Aart van der Neer, “Drawing 
the Net by Midnight’; Otte 


PREDICT ROTTS 4 ad ol aoe ated week 300 
57—Jan van Goyen, “River in Hol- 
Jand’; W. EB. Benjamin. .....- 750 
58—Jan van  Goyen, “Beach ‘at 

Scheveningen’; W,. EH. ane 

AAT Ge IE SMe eile tei id''y Bilal mie 


RECORD PRICES AT” 
| WILLIAMS SALE 


4 gfe 
f 4 


|A Jacob Maris Brings $12,000 
| and a George Fuller Sells. 
for $10,500. 


speaks ER 


ITOTAL REACHES $185,865 


f eeeeamemne: testers es et 


| The sale of the Ichabod T. Williams | 
) paintings in the grand ballroom of the | 
‘Plaza Hotel under the auspices of thé | 
}American Art. Association eame to a 
conelusion last. night with all the out-) 


| ward “manifestations that attend art | 


la 


“ 
} 


: 


} 


¥ 


Yales in good seasons. 


'much levelling of opera glasses and 
‘quick interchanges of opinion. 
the principal art dealers in town were 
“present and many painters of note. 


‘the total for the evening was $151,272, 


There was a large duaionea” vi 
accustomed buzz of conversation att the | 
appearance of the, favorite pictures and | 


All. of | 


‘Some record prices were obtained and. 


making $185,865 in all for the Williams 
collection. It was, in fact. difficult to 
believe that the scene was occurring in 
war times. 

The record for the evening. was | 
000, paid by Miss R. H. Lorenz, agent, | 
for a “Tiller of the Soil,” by Jacob, 
Maris. This was a record price for this! 
vartist as well, as no other picture. by 
‘him has comma. .ded such a price in an) 
American auctiou before, All the paint- 
| ings by the various members. of the) 
Maris family were admired and brought! 
i good. figures. | 

George Fuller, ‘the Aveeaibars entabe 


(lished a new record, too, for his ‘“Ro-' 
lmany Girl,” one of the gems of the) 
collection, sold to Miss R. H. Lorenz,) 
agent, for $10,500. 

All the American pictures sold well,, 
The exceptionally fine little sea piece by; 


Albert P. Ryder sold to the Metropoli-) | 


tan Museum of Art for $2,050. The} 
|landscape by J, F..Murphy, which sold) 
| last night for $1,550, was the first pic- 
' ture that this artist ever sold, so Mr.) 
| Rirby explained. Mr. Williams bought) 
pit at an academy exhibition in 1880. for) 


t $75. 
The “Quarriers,’ J. EF. Miltet’s vigor-) 
| OUS work, sold to M. Knoedler & Cou 


| for $10,500 and the superb “Woodman’s| 
Cot,” by ‘Corot, went to the Scott & 
| Fowles Company for $9,200. 

The list of pictures, with names of 
buyers and prices, follows: 


| 60—Eugene Isabey, 
' the 
5 
| 
} 
{ 


Wioods’’; ee Bernet, 
BSOWNI oie wise as San SSR ak Ee OO 
61—Theodule Ribot, “Girl ana 
Dog”; Durand-Rutel.. occ. 206: 


§2—Miatthew -Maris, “A Corner of 
The Hague’; Toner Lo PRu- 


ips SOSH SHOT SLOP HCC EHS T2 SCH oE S 
¢8—Theodora Rousseau, “Study of 
satel weer vahia Bernet, 


CREB NERS 55. “fhe SEU SU Ika tL RCN eh ak Se Oly nh sa 


f BY pee Sere igi whe has Monat une 
65—Antoine Vollon, “At the Water- 
side’; Otto Bernet, agent. 


| 66—Allexander HA, Wyant, “Land- 
scape at Eventide”: M, 
Wingedler : & “Coe ors was we 
' 6%—Diaz, sheen Lovers’; John 4H. 
\ Bar ee kote las aig alae tea nonce a 
68—Corot, “Landscape”; 1 ete = 2 
ROLENZ. “AEONE ae ke wae ER poms 
; 69-—~Antoine Volion, ‘Portrait: of 
Corot s Sister” ; Hugh Mur- 
Cue a GSS aR ai a aay eg ahaa 
| 70—aTac ob Maris; “On the. Canal: 
Holland”; William Henry... se 
Pe ne “Forest of. Fontaine- .. 
bleau’’; Otto Bernet...... ‘Nels ST 
1 72—Jules: Dupre, ‘Marine’; Mu | 
Knoedier & CO..s.-cee00eee 624 
T8—Albert P. Ryder, The Tollers 
of the Sea!’’;. Metropolitan 
Muse im of  AROT oe eee 2, 08 
{4—+Decamps, “‘Interlor of a Turk- 
ish Cafe’; James LL, Phillips. 69 
i Tis Francis Murphy, ‘‘Autumn’; 
Scott and Fowles. Co........ 1,550 
%78—Diaz, “Plowers’;. Scott > and 
BOWS IO hee s wale pica ae eits aie 825 
T7—Daubigny, “Departing Day’’; 
Jonathan Builkley....... RPO 90.0) 
T8—Matthew Maris, “Naar de Na- 
tuur’*; “Willam “Henry... ...3 


79—-Bugeneé Dalacnroix, Astudy of 


Baieaa) Farm: House’; J, M. 4so| Coen pictures ‘being .$34,600,- The 
S0-—Diaz, ‘Cattle at Sunset"; R. OH. ‘more important, ones will be sold to-night. 
Lorenz, agent. .cceseye ne ess 3,400 first session was the 
81-—Matthew > Maris and Adolphe Phe feature of the a Q *| 
Monticelli, “He Loves Me, He sale of George Fuller's ‘(Leading the Calf 
povae ro Nal | Meednniy dis 4.300 }10r $4,200, the highest price ever paid for | 
Bar-Louls Mottin, “Fruits My Te pda ny Creat tise at WUC Or, The high-| 
FEUGNOR chia win ae alieicisiee cielg ee ee : ae 
83-—Adolphe Monticelli, ‘Doles far ést previous’ price was $4,100 paid at the; 
Niente”’; Otte Bernet, agent. 3,600 |am tapos alc he study for 
g4—Ferdinand Roybet, “Spanish Thomas B. Clarke sale for t e y | 
Gypsies’; Mr, Killman...,.. 450/Phe Romany Girl?’ The original of this} 
| &6-—Diaz “The Sun Worshippers’; {tee z : Ve night. 
te WwW. W. Seaman, agent........ 1,500 painting will be sold to-morrow 8 
| 86-—-Daubigny, “Hvening pata VLeading the Calf’ was purchased by"an 
seape’; Jonathan. Bulkley. 2,950 


“A Meeting in eS 


| 


Php Bae 


fable, “A "Welt cn 'die 
uc : Sune. Davis. eee ewe 
89—-F, Boavin, “Old Age dari ne 
ir anges ie vsti ayy (hy He des 525 
90—AAt phe Montice “An Italian 
91—D. nis “ts Water, Siwittly les 
Daubigny, e Water Sw. Ny 
| Glides’;° W. T. ° 400. 
Pea Rhaedare, Rousseau, the vay : 
9 ae eee ee a: BBO) H 
s—Thomas ature, J! = : : 
Pome Miss’ M, ©. Will- ee) Ud 
Peco ““troyon, “A” Per- | ore id $2,60( 
“ cheron’”’: e, Time cries 500) | frieiday is Bes ay 
'§5—Adolphe Monticelli, “The Farm- * Fields,” by Adolp > 
yard’; Wy . Seaman, | pM _ Knoedler &  1Cae pa 
kd agent fatate bes 1,000, ar A. 
‘96—Theodore "Ribot, “Studio ‘of ‘the ee aa 
Artist?’ 5 Charles M. Lea.....- 1,550 
(9%-Theodoxe Rousseau, “Pool in 
the Woods’: Mrs. Fred Cook 650 
$8—Corot, ‘The ay eel oe ae 
Seatt. = Fowles: oe. ecpia Rees | ReROD 
99-——Albert Neuhuys, utch “In- 
terior’: Otte Bernet, agent. 2,050 
100—Jean Francois Millet, ‘‘The 
Quarriérs”’; M. Knoediler & sa 10, 500. 
401—John S. Sargent, “A Girl | 
Capri’; M. Knoedier & Co. 2,950 
Paco . Corot, ‘Hvening, Lake 
Nemi”’; M. Knoedler & Ca... 5,200 
208—Constant Troyon, “Morning: ! 
Coast of ‘Normandy’; Francis _ 
Re oe WRQTIGIN sc baka 0 ple eo aietacate 2,'800 
104—Jacob Maris, “A Biller of the 
Spel Miss R.. Lorenz, 
BMHOME ks denbears ny ii sido a teahane 12,000 
Hik—Adciahe Monticelli nd Mat- 
thew. Maris, “A Ga ay”; 
; James: I. Phillips. | we kes pao 
'106-—W. Gedney Bunce, “A Vene- 
tian Moon’; G. 8, Palmer 675) 
107—Adolphe Monticelll, “Tand=- ts 
scape and :Figures’; Scott & 
: Moves CO Corse nee Sa TiS 8,200 
sige A EOr Ee Fuller, ‘Romany Girl’’; 
H, Lorenz, ag CMG. oar e eta 20,500 
Pena wien Maris, “Dutch Cattle”; 
Scott & Fowles oe Pb iat wi geet eas a , 600) 
116—Anton Mauve, “‘Minding the | 
Cows’; M. Kuoedler & Co. 8,300 | 
111—Matthew Maris and G. A. Mol- 
linger, - f‘Returning : Home’; 
WC. /Phompsom soy os. 750 | 
-112—Henry, Mubrman, ‘Fhe Wy 
Trees: Hampstead Heath’; Bee wae ay 
1B; Boarcdimamuasis es eeaiie cee 175) a 
ee Conran ney an: “Cows | in . With a tote) or $185,000 for bua 117 
asture’; Otto Beret, agent 5,000 ‘ 
Ber Georse aad eee Through a ures, the: ‘dispersal of the. Ichabod 
Meadows’; noedler & Co. 5,200 came 
4115——Theophile de Bock, “An Pe ed aaah collection Ls ele 
: More ine in Holland’: Ww. night in the ‘ballroom. of the Plaza, 
FAURNAATO A okie acuee ee eee 2, | f 
6—rank Mara, “ishing Va 700 under the auspices of the Amerteas 
age’; Mr Winans Seca 800 nine. tun Re 
117—Therese Schwartze, “The Recoeae a. ‘Witty~ ual ; 
Orphan Girls: Amsterdam”: at the Jast saree the: 
oF s,s Wade OIA eT etek $50 $151, OTH: : 
AP isa en ae. i re , 


ef 


Session—George Puller’s “Leading | 


the Calf” Fetches Record Figu 


PASCALE IM ER EL ad We Sea ae bse 8, 


\ition of paintings began last night 
Plaza Hotel ballroom, under the ausplees 


lot the American Art, Association, 


American egiiects >, 


e fy Eight Paintines ie See i Op 


rie 


| 
“a 
Sale of the Ichabod T. Williams’ collees 


in the 


Mr; : 


4,100) miomas H. Kirby presiding, tthe total for 


represented iby 


who was repr esented 


pallens an Re He section itoees 
are seldom offered at auction. \ i 
many Girl” rent for ae 600 abe e 


shine | a new Penna tae a Puller. 
night before, when aerials. 
iprought $4,200. \ The previous r 
oe by: the any es “The E 


sale {n 1904 ps He 100, ont 
American artists have high 
oerds now than George Fal 
svape hy George Inness bro 
the dispersal of the Borden’ 
a landscape by A. H. Wyant'$ 
sale of the Macmillin collection, 
Another George Fuller, “Led 
the Meadows,” was gold last: 
Knoédler & Co, for $5,200, which 
second largest auction price. 
. Three Corots Arc Sold, | 
Three) Corots were sold. "The 
ye Cot’ went to Scott & ] / 
$9,2 “Hvening, Lake Nemi,” pf 
gis by Knoedler & Co, for $5,206 
the small “Landscape” went to a co! F 
Miss rR. Tt. ‘Loren 
$1, 500, | 
The. ‘Matraneditens Museum of arty) 


sented iby Bryson Burroughs, obtai a 
typical work by ‘Albert P. Ryder, f 
Toilers of the Sea,’ for $2,050. Thi § 
ure is only eleven and a half Anche 
jand twelve Inches wide. 20 ; 


irancis R. Welch 
pri,”’ by John. 8, 


¢ title, the buys 
were sold as fol- 


boleh oA g 0 456 bere bie) dwg. 0 @ 


Cornet of The Hague;’’ 


ssean, “Study of Sunllt. 
‘At the 'Waterside;”’ Otto 
duabcace at: Wrenn: 
John H. Fry... 
of Corot’s Sisters” 


Ae 


bleau;’’? Otto 


woe ee & 


Plaz 


he 11 
bod 
mn ond 
Plaza § 
nericat 
og Welt 
ccods MP 
the {eh 
ale Ug 
000 0 

, Als : 


68 col i 


It became known yesterday that the 
ipurchaser of George Fuller’s ‘“‘Romany 
Girl” at the auction sale of the Ichabod 
T, Williams collection.of paintings was 
Mr. Henry C. Frick.. The painting was 
}sold in the Plaza Hotel on the evening of 


f 
f 


| 


pie aI LO ata 


productions,’ The catalogue of the Will- 
iams collection says concerning the pict- 
Paresh ie comes, the dignified, standing 
‘figure seen at three-quarters length, in 
the sombre, appropriate surroundings of 


February A by the American Art Associa- 
ition, the bidder being Miss R. .H. Lorenz, 
who, it was announced then, was acting | 
as agent. Her principal, it now appears, | 
|was Mr. Frick. | 


| 
{ 
{ 
} 


i 
f 
I 
\ 
| 
| 
| 


The price paid for the painting—$10,500—| 
jis ‘the: high: record for’a ‘work by George | 
| Fuller, On. the : i 
Through Meadows,’ by: the same artist, | 
potent $5,200 from MM; Knoedler & Co.,| 
which was the second highest price ever| 
ipaid for a Fuller.) The artist, because of| 
| his deep brown tones, is popularly known | 
as “the, Rembrandt, of ‘Americas’ 
sald; Mis Prick was willing to bids as*high 
| as $20,000. for the ‘Romany Girl.” 


| Mr, Frick’s painting is) the originah,of’ 
ot PR a co LAR a a ee Ceo ee We oe ON Gots Va od 


same evening ‘‘‘Lec 


> 


3 


. 
| 


forest, with charm undiminished, bloom 
unfadine, lustre of ‘hazel eyes undimmed— 
prescient, questioning wisdom of the ages 


land the hour in her face, a symphony of 


zolden brown and deep melodious 


green in 
her presentment.’ 


Mr... HMrick possesses only three ' other 
American pictures, Whistler's ‘Rosa Cor- 
der,’’ “Count Robert” and > “Valparaiso 
Harbor.”’ 


Pa 


From 
Address: New York City 


Pe dean aacense' 
pee. - 
eucncenseness! sennanssoonseres” 
CO en a 


\ 


AMERICAN “ART NEWS 


| I, T. WILLIAMS’ PICTURE SALE, 

| The first session of the auction sale of pic- 
tures from the estate of Ichabod T. Will- 
iams, held in the Plaza ballroom Wed. eve. 


="! last, Feb. 3, by the American Art Ass’n, with 


Mr. Kirby as auctioneer, resulted in a total 
of $34,600 for 58 canvases, mostly of the 
modern American and French schools, with 
a few attributed to Dutch old masters. : 
| The total of the second session was $1515. 
(275, and the grand total for 117 picturés, 

$185, 875. 

For the first time at any picture sale this 
|season there was a really good attendance, 
‘and the ballroom was well filled. While the 
bidding was good on the whole, it was at no 
time spirited, but prices ruled well consider- 
ing the market’s condition, especially for 
the examples of older American painters, no 
longer in vogue, such as Jas. Smillie, Swain, 
Gifford, McEntee and others. The large ex- 
‘ample of the late Geo. Fuller sold, “Girl 
Tending a Calf,’ excited competition as 
this not prolific American master’s works 
seldom come to the auction mart, only six 
having ever appeared in New York sales- 
rooms. It brought $4,200. A good-sized 
Monticelli fetched $2,600 and a good Clays, 
$2,650. The dealers, notably Knoedler & 
Co., were the largest.purchasers and there 
were few new private buyers. The canvases 
attributed to Dutch old masters, and which 
were the weak feature of the collection, 
| brought low figures—especially for such big 
names. 


Second Session. 


At the second and last session, Thursday 
evening, the large ballroom was filled to its 
capacity and many were turned away for 
lack of seats. The atmosphere was one of 
animation, the bidding spirited, and the 
prices, as a rule, were not only good, but 
surprisingly good in several instances, es- 
pecially in such a season, a most cheering 
and significant proof that art works of good 
quality can hold their own and are not 
|“downed” even in and by the greatest war 
\in history, Lhe individual prices and tive tin- 
expected total of $185,875, were the most 
encouraging incidents of this, up till now, 
dull art season. 

The highest figure at the second session 
and of the sale was $12,000 paid by R. H. 
Lorenz, agent, for Jacob Maris’ “Tiller of 
the Soil,” a record auction figure for this 
artist. Knoedler-& Co. secured Millet’s 
“Ouarriers” for the low figure of $10,500. 
Geo. Fuller’s “Romany Girl,” sold to Miss 
Lorenz, agent, for $10,500, some $2,000 to 
$5,000 lower than Fuller’s admirers had ex- 
| pected. 

Of the three Corots the “Woodman’s 
Cot,” the best in quality, brought $9,200 
from Scott & Fowles, the Mauve, $8,300, 
from Knoedler & Co., a low figure, and of 
the five Monticellis, ‘the highest figure, 
$8, 200, was given by Scott & Fowles for 

Landscape and Fig ures. ri 

aN small landscape, “Autumn,” by the 
American painter, J. "Francis Murphy, the 
first to be exhibited by him at the Academy 
in 1880, when it was sold for $75, fetched 
$825 from Scott & Fowles. 


Pictures, Buyers and Prices. 


The following is a list of the paintings 
sold, at the two sessions, with the names of 
the buyers, where obtainable, the sizes in 
inches, the first being the height and the sec- | 
ond the width, and the prices: 


-2—Latouche, L., 
W. 


2 eee 


T—Gaubault, A. “The Bugler,” BYx6%, F 


Williams 


Macbeth 
3—Michel, G., ‘Landscape 


6% x9, Alexanders dics. ct ce ns yaleenes 260 
jean “After the Christening,” BUX, 
Kinroedler. S&° Coreen. sce cist steslsis ele ieiens 600 
5—Blakelock, R. A., “An Indian Madonna,” 
8x6) Cas. Pale: sky oe tae ee 410 
6—Ribot, Rot): 6" iites Cook,’ Parra: Ber- | 
Nets. AS eNt: A xteeeeRl. 0 co er sevete 110 | 
7—Vollon, A., ‘Rembrandt, o 1114x9, “Irving 
Brokaw) 22 ekec eoeeetees ss oie sisaust eileta si goto) sain 
8—Bunce, W. G., “Apples,” 10x14%, T. Still- 
Wag@en” |< sis a, « alepetheele:: «: + -«. ej eiteliel alle slelisiehsaauenene 30 
9—Ryder, A. P., “Pie Barnyard, 2 ee 
Knoedler 2&. ‘Corte soa ave wi eroche niet eee ,400 
10—Boser, Jas “Devoutness,” 15x10; M.. “ily 
UML: vi prevcce ete «00g alee PM ORameelan tte 140 
if Warane Ay H., eh tscaget (Watercolor), 
14x10, Bernet, AGEN... eee eee e eee 475 
12—Stevens, A., ‘ an ‘in “White,” F3x0727 eee 
Knoedler -&> Cosme). i ucccce aaa 320 
13—Bonnemaison, G., eat Pools 14x1014, -M | 
Ps * 3 AVIS ad cicetsd seeabere ole cle ckerenele eels 310 | 


v4 Meeting: ie “Relics of the Past,’ 13x9, 
“Ls Stillwagen AR UE aoc a" 16) 
15—Bosboom, J., “Interior Church, Alkmaar,” 1 ee 


37—-McEntee, es “Where late the wild flower 

bloomed, the brown leaf lies,’ 24x42, H. \ 

We Jones Rrra HN al FLX. Soyo, 460 
38—Jacque, C. E., and Michel, , *Shepherd- 
ess, Sheep and eee 32x26, Sea- 

man, agent ..GR ssp ens » vie.a\e eileen ree 3,700 


1214x10, Re C.. dN. M. Vose (Boston). 
16—Maris, Jacob, ‘The vicstaa 84x13%, 
Knoedler & Cs. +aiunGw ae eaeaem 
17—Couture, T., ‘Faust & “Mephistopheles,” eZee 
15x1014, Theo. He “NAP DUL gn <r ee ~ 285 
18—Roybet, F. V.L., “Abduction. of Rebec-™) | 
ca,” 12x14‘. Stillwagen vena) see, cea 335 | 
19—Hervier, A. ee ‘French Farmyard, ” vee | 
15, 4 Whe. Breaker oth sp se Nea te rea Vine 
'29—Monticelli, A., “Returning from the Fields, om 
11x14, Lorenz, AMENE «gees ek ee ;600 
214—Davies, A. B., “eiders, 16x, Alex. Mor- ; 
ton Humphreys Pec cite Ree eee 575| 
22—-Twachtman, J. H., ‘Winter Landscape,” ‘ 
13k25 Seaman, agent Pe. lo on 00, 
23-—Gifford, R. ., “Landscape near Mon- 
quitt,’’ 10x23,~J. R. Garside... vata 250: 
24—_Muhrman, H., Still Life: Fruit,’’~ 16x21, 
GocW. R vqustia sf Seas oe Ge ohare Bee \ 
95 isow, W.H.,.“On the Seine,” 15x23%, W. if 
D Breaker ee See eer Soe ls 300 
26—Colman, S., “Sunny Afternoon: Algiers,” 
1414x27, Miss E. R. Wellington........ 85) 
27—-Muhrman, H., “Hay Field,” 16x23, W. D. 
Breaker “sc. 220) saaeeese » ore ina ee 180 
28—Richards, W. “The Wissahickon,” 24%4- 
Seo Oh beatae Marsan e So Ee Serene a ee 350. 
29 Hill, C.. F., “Landscape,” 29x21, William . i 
Swift — nies cranes ns) otis Coiyeiralte Ry Roine) Sis Rona eieattonautetere i 
30—Portielje, E., “The Butterfly,” 30%x24, J 
D. M. Neubergetia... 28s cae mes ee 200 
Ba, “Old Tower, Cairoy’ 225%32; | 
Hugh 'S, - Williattie wits | C scles a nee 
$22 Clays; Paes Morning on Scheldt, WM Pap able 
| S. Taylor RPE reat oe aig joo aion ¢ ,650 
33—Bristol, J. B., “Lake Champlain,” 20x36, 
seeMel Willianis.. cas #6 oe eee 245) 
34--Muhrman, H., ‘Filling up Pond, Hamp- 
stead,’ 24x36, G. F. Hermann......... 110) 
35—_Whittredge, W., “Autumn on Delaware,’ 
"27x35, Miss &. R. Wellington........-. a 
36—Smillie, J. D., ‘‘Evening, High Sierras, 
GCaly. .2oxd0s "aT: SONATA laisse trees cents 500) 


j—Adafi, L, E., “Caterers ioe ee in 
Counsel, ay 31x48, Seaman, ani ee sah ae 
40—Fuller, G., “Teading the Call, "36x50%4, | 
Seaman, agent + rieace as 4s sa Malte eee 4,200 
41—Weir, J. AS “Muse of Music,” 44x34, Lotos 
Club i sgh cs fis ce ReURehe yale opens ee 
42—Michel, G., ‘“‘“Heights of Montmartre,” 33%- 
x47, Cornell 72 :tee emetic emir oon aera «5704 
43—Colman, S., “‘Quimper’ (Watercolor), 49x, 
23, C. W. Kraushaar...... teins 5 Gig Maneme > 325 
44——Mura, F., “On the Dutch (Coast, saul 
Cornell. 222). ae ie 875 
45—-van Ostade, A., “Dutch Interior,” 9x74, 
W. H. ‘Coverdale ote eaaree CN 1)90| 
46—Domenichino, D. Z., “Apotheosis of the 
Virgin,” 12x9, Bernet, ASG ee coee 220 | 
47—van der Neer, A., “Evening, Holland,”’ 
16%x13, Bernet, CTL. v.dce ah tener ere teams 2090 
48-—Salvi, G. B: (Sassoferrato), ‘Madonna and 
Childia, 19%4x15, D..M. Nenberger. os. 90 
49—Goyen, J. van ,““Boatmen in Holland,” 16%- ; 
x12. Wom, .Switteeyere cc odors cerieme gen cee 275 
50—van Tilborgh, E., “The Winning Card,” 
2214x1634, Seamanmy-agent. ieee 800 
51—Ruisdael, E, “Holland Landscape,” 14x- 
22%, W. EB. Benjamin... Srasintae cae 410 
52—Both, J., ‘‘Landscape with Figures,2—82-——— 
2414. Wy H. Coverdale. .\icsu es oe 130 
53—Cuvp, <A., ‘“Wirtter, Holland,” 1éx24387 
Irving ‘Brokaw (otic. seka ee ZS 
S4—van der Neer, A.. ‘Drawing the Net by 
Moonlight,” 1814x27%, Bertier eee 300 
55—van Streek, ‘J., “Stil Mite,” ~ 272252 2%, 
Cornelian. oo b.5a ne eens. 5 ee ee 170 


S6—van der Velden, P., “Evening,” 2834x23, 

To SS)48 Willignis. 2. cei. = « eee 130 
57—van Goyen, J., “River in Holland,” 28x46, 

W. 


E. Benjamin aa wees « 0: a ee ea Ce 750 


me 


eee 


i = 


B “Beac 


aM pee Bee. ees ecices 


) S.. “ie en @ e'e ewe eee Peseesdvavdsante ~ 
| 4 Second Session. 
|)’ —Bonnemaison, Sa teystacks,” Lia l5, 
Weed Albert e PGarairad scsi Apu eanr $ - 100 
pi—lsabey, LotG.,“Meetidg® ‘in the 
eg "10%4x8%. O. Bernet, agent. S50us 
6 1- Ribot, A. F “Girl and Dog,” 11x83/, 
Ea TTT ire cis sive ge cle tus des wee 200 
—Maris, aes Sorina of the *Hague,”’ 
rf eed: bi lltpSiosc pete es. Lae 2,000 
eae tudy, Sunlit Woods,” 534x- 
BME SeTIEL, AP ENE... os ees wee ees 25 
Diaz, be The. Bouquet, Poloxe John ‘iH. Fry 1,225 
= Vollon A., “At -the RVaterside,” 94x13, 
ca O, Bernet, ARETE SA eae ee 325 
o—Wyant, A. H., “ Bandscane, Eventide,” 
Ve 9x14, Bcdicot:Go......+.c0........ 1,1)0 
yoe “The Lovers,’ 1234x7%, 
oe os LS MS Rene aa Sy ae 1,625 
“Landscape,” 14x94, 
“AS Ged EES, SE 1,500 
heeacortrait, | Corot’s Sister, 
94x74, Hugh Murray REN Rees ss 2 aber 350 
aris, jacob, On the Canal: Holland,” 
see xiaee Vm, Peenry.c 6. eee ee 3,400 
Vi—Diaz, N. V., “Forest, Fontainebleau,” 
9%x14y, O. Bernet, agent............ 375 
2-—Du ré, Jules, “Marine,” 114%x10%, 
t MEIER GS Fess 30k oss kee wee 625 | 
t) Ryder, A. P., “Toilers of the Sea,” 11%4- 
oe x 12, Bryson Burroughs Mats stare egecaes SHES 2,050 
4—Decamps, A. G,, “Interior Turkish Cafe,” 
13x16, Jas. Ls Phillip Siecte sic etenaeremeinn., Stone 600 
)5—Murphy, ts Bs Raeeina.? 12x16, Scott 
}  _-and Fowles per eet eee. 1,550 
Penn N. V., “Flowers,” 14%4x11%4, Scott 
i. and Fowles (COOE ee Be ee ce Wee ee pers $205 
)/7—Daubigny, Cee. wWeparting Day,” 914— 
mints es yonathan Bulkley... 00s es ss os — 900 | 
i$Maris, Matthew, “Naar de Natur,” 174%4- | 
= x10%, 1a Gulia pl asahasasio aeGio <- oe earner 4,100 : 
DB ipelacrcix. * V.. Eo. “Stady,. Erench 
Farm House,” 14x17 54, J. M. Frank- 
i NE Reale leo wks ai ahev Cea eee a 450 
30—Diaz, N. V., ‘‘Cattle at Sunset, el Lins 
Memmpe te Toorenz.........- si. cancs.seccee 3,100 | 
51—Maris, Matthew, “and Monticelli, “He 
loves me, he loves me mot,”* 7 yxi3i4, 
Me Tl diter . 5. scnadercl oe... 1580 | 
:2—Mettling, iL. Pruit,’’ 15x18. M.-T! Hud- 
Sse Cin 3 RI ol Stree ae ee a isle 250 
Be ocelli, A:, “Dolce far Niente,” 18x- | 
13%, O. Bernet, agent..............0, 3,600 | 
+34—Roybet, WV See “Spanish Gypsies,” 
| Me oe illrdn soc. tec ees se 450 | 
35—Diaz, V., “Sun Worshippers,” 12x- 
Meee. Seaman, agent: . .. 6. eee ce aes 1,590 | 
186—Daubieny, C. io “Evening Landscape,” 
" 1144x2334, Jonathan Bulkley.......... 3,050 
'87—Mesdag, H “Drifting Ashore,” 20%- 
x1l5¥Y, Francis, R. Welch........;-. + 675 
[8—Constabie, J., “Weir on the Stour,” 15x- 
yo. ae 2,400 
Iso Revvin F, S., “Old Age Has Its Solace,’ 
/ 2034x1314, "Hugh VET A Yc oer te a6 as 525 
190—Monticelli, A., “Italian Festival,” 13x- 
224%, Francis R. WGC a tities Arie doles s 5,100 
91—Daubigny, C. F., “Water Swiftly Glides,” 
3x24, W. T. Carrington = ots ee eee 2,400 
92—Rousseau, Pye: Well,’? “1534x26, A. 
Mead 6c... 559 
93—Couture, T., “Tete de Femme,” 20x18 
Miss Marian COATT 1S rr 875 
94——Troyon, C., “A Percheron,” 18x22, Mr. 
a lati er 590 
95—Monticelli, A., “The Farmyard,” 15%%4x- 
EIA PARC a (cl asses ew ee 8 ss 1,300 
96—Ribot ee 4S "et SFuidio of Artist,” 22x18%, 
Chas Lea 8 pe Oe 1550 
eee. Pp. “Pool in Woods,” 16x25%4, 
Mr? Gredm@i@aciey.ct............... 650 
i) 
a ee *Woodman’s Cot,” 19x26, eee | 
SS gs cee nec cee oe we 9,200 : 
99—-Neuhavs, A’, “Dutch Interior,” 27x21, 
(); Bernet, PRUE Bere Cie nsw ols 2,050 | 
00—Millet, J. F., “The Quarriers,” 29x23%, 
CG. ©... eee eee ve nen oe 10,500 
Ot=Sareent, J: S., “Girl of Capri,” 31x25, 
Knoedler SAC SE ee aa 2,950 
02—Corot, “Evening, Lake Nemi 35Yx 
2334, Rea et rs LCOS. chase iat s ole eia wie 5,200 
‘(03—Troyon, C., ‘““Mornin~: Coast, Norman- 
Mumeetenod FF. OR. Welch.......36.5-- 2,800 
\\04—Maris, Jacob, “A Tiller of the Soil,” 
1814x444, RH. WuGretiz. arent. . wm. 12,0)0 
\05—M onticelli, ine and ea Matthew, “A 
Gala Day,”’’ of Y%x31%,Jas. L. Phillips 1,625 
106—Bunce, W. iG. “Venetian Moon,” 24x37, 
i .S: Palmer pe bic: = A AE OUMMIED sare 675 
107—Monticelli, A., ‘“‘Landscape and Figures,’ 
20x40, Scott & HGWIECS. a bla teeles «ete + a 8,200 
108—Fuller a Bomatiyes wirl,’o40scd0, oR El, 
Lorenz, agent Se CES ha) Oe 10,500 | 
109—Maris, Willem, Dutch Cattle; 132x38, 
Mee awles-.. ..a.ciccreo cto... 7,600 
110—Mauve, A., ““Mindir~ Cows,” 2214x40%, 
Knoedler & MBC CR IRS, ch ecto, ela eve ae 8,300 
111—Maris, M., and Mollinger. Ge ““Re- 
turning Home,’ 28x44, Ww. Cc Thomp- ye 
re Sen cect 2 MUM ic oon cs 5 
{Ee Mahrmar, H., “Two Trees: Hampstead 
Heath.” 27x3514, A. B. Boardman..... 175 


q 13—Troyon, ret 


| uerres, ae ey ee 


| peuvent s’élever aucune incertitude-d’au-_ 
thenticité, que toutes ces piéces’ 


la prairie >, a méme, 2 
/ un bois », par Monticelli et. Meee: 4i, 000 fr.: 
«Le matin, cote de Normandie», petite ma- 


‘matin sur VEscaut », par Clays, 


eee 


‘tion 


eee S et injustifie. Rs fess 


“Cows in Pasture,” 3614x29, 


(Oy Bernet, AVON Hee Ce ae 5,000 
114—Fuller, G., “Led through Meadows,” 54x- 

36, Knoedler Swi CO, ies och Been peers iy od 5,200 
115—de Bock, T., ‘Avril Morning, Holland,” 

46x28, C. ‘Wu Kraushaar.4.2s5........ ,700 
#116—Mura, F., ‘Fishing Village,” 42x66, Mr. 

Williaa eee at tet, . 2 he Cee 800 
117—Schwartze, T., a phan Girls—Amster- 

dam,"” 68x7914, J lp W. rani ys es wey 650 

Be el sas 5 Cay ae o's ces Cac $151,275 

otal MaermeesSlon<e..s oaods fs. ot 34,590 

ee otbt SCL cso ; My oe note loc Be $185,875 


NDES VENTES | 
prom ee 
elques mois, on nous a de~ 
ouvent si nous pensions que les 


leaux et les objets d’a’t subiraient une 
diminution de valeur, du bit it des la 


\'on avis était que oe ‘belles cent res. 
dart, les tableaux autour desquels 


y 


qui, chaque année, étaient la gloire 
notre saison de ventes, n’auratent 4 re- 


douter a‘cun: -contre-coup » facheux des 


événements'si graves qui bouleversent le 


; monde. Mais il me suis aor ee ae 


9 hy 


controler E exaetitile, aon hoes ee er eal 


. 3 février, a New Von: te de la atte 


tion de feu: Ichabod T. Williams, et ‘es 
prix des adjudications © ‘sont de nature ae 
rassurer et a encourager tous, Tes” ama-— 
teurs. aie iy. Romero ak ie 

Certes, quelques” tableaux, sHtbiés x! 
des noms illustres, n’ont trouvé preneurs | 
qu’a un chiffre modeste de dollars. Mais. 
il ne faut pas. oublier.qie, en Amérique, . 
les ceuvres d’art sont: vendues sans garan-, 
tie de la part des ‘experts. Or, dans cette’ 
collection, les’ belles ceuvres ont atteint! 
les prix auxquels ‘on se les serait see 
en des temps moins troublés. ae 

C'est ainsi que nous avons relevé, ‘parmi. 
les enchére les plus intéressantes, les 
ceuvres suivantes : 


rine, par Troyon, 14,000 fr.3 « La Cabane. des | 
bicherons», petit. ‘tableau de Corot, 46,000 fr.; : 
¢' Fete. de femme >, par Couture, 45375 fray | 
« Féte en Italie », par Monticelli, 25,500 fr.; | 
« Farniente », du méme, 18,000 fr.; « Effet de 
13,250) 
francs, etc. 


Les personnes qui parlent de déprécia- 
pour les beiles’ atvres d’art font 


donc montre d’un pessimisme vraiment. 
MaLet 


Sa yi etches $12,000— 


More than an eighth of a million dol- 
\lars, or, to be exact, $151,275, was bid 
last night by a great throng of art 
| lovers in the ballroom of the Hotel 
Plaza for fifty-nine paintings by well 
j known artists at the second and final} 
Sauk of the Ichabod T. Williams 


ener 


sale. It was conducted by Thomas E. 
Kirby, of the American Art Associa- 
tion. , This amount, added to the first 
“ nt’s' sale, makes a total of $185,865. 


he highest price of the evening, 
| $12,000, was bid by Miss R. H. Lorenz, 
Las agent, for “A Tiller of the Soil,” a 
teanvas by Maris, showing @ Dutch 
| farmer halting with his team to adjust 
' +some part of the crude harness. “The 
| Romany Girl,” by George Fuller, which 
'Mr. Kirby announced is the original 
‘painting of that title, and which was 
| Shown at the memorial exhibition of 
the artist’s works in April, 1884, was | 
'sold to Miss Lorenz for $10,500, after 
some keen competition in the bidding, 
| for this was regarded as one of the 
j gems of the collection. 
| Knoedler & Co.’s bid of $10,500 was 
ithe highest for “The Quarriers,” by 
/ Millet. On the back is the official seal, 
'“*Vente J. BP. Millet.” It shows a pair 
‘of quartymen prying up a huge piece of 
‘¥ock with a heavy wooden post. The 
“Knoedlers also gave $8,300 for “Mind- 
, ing the Cows,” by Mauve. : 
| A Coret canvas, “The Woodman’s 
| Cot,’ which has been much admired 
during the exhibition, was knocked | 
idewn to Scott & Fowles for $9,200. 
'The same firm obtained, for $7,600, | 
‘“Dutch Cattle,” by Maris, and Ta 
i 
| 
| 


gave $1,550 for J. Francis Murphy’s 
“Autumn,” one of his early canvases. 
An ‘Italian Festivai,’ by Monticelli, 
“Said to be one of that artist’s best ex- 
amples, was sold to F. R. Welch for 
' $5,000; also “Morning: Coast of Nor- 
mandy,” for $2,800, 
The paintings that brought over $1,- | 

-000 follow, with the artist’s name, the 
buyer and price: he 


Picture, artist and. bityer, bara af ip Xo) 
"A Corner of The Hague,’’ Maris; J. L. 
Philips 2.) Pir arerenns ARE cata bg ea 
“The Bouquet,’? Diaz; John HB. Fry... 4,276 
“Landscape at BHyventide,’? Wyant; 
ROPER COs oa NG WEN dre waco atiescs ei 
“The Lovers,’' Diag: John H. Fry 
“‘Tandstape,”’ Corot; R. Hy. Lorenzi. ... 7 
“On the Canal: Holland,” Matis; i 
ERT Vip iwie th ail-a pei Se Set a RiSialeacecds Mate slat 
The -Tolers. of) the’ Sea,’ Rydet; B. 
BurrouBhs s\n) heu'e<. PORSR URNA a coal uh ges Geeuan 
“Autumn,” Francis Murphy; Seott  & ! 
WO WICR Moet heliie's tiex saaearet MeO eRe dete ote 
_ “Naar de Natuur,’’ Maris; W. Henry... 
| “Caxtle at Sunset,”’ Diaz; R. H. Lorenz. 
“He Loves Me, He Loves Me Not,’’ 
Maris and Monticelli; F. W, Hunter.. 
“Doice far Niente,’* Monticelli; Otto 
Bernet : 
“The Sun Worshippers,’’> Disz; W. M. 
Seaman “(agent),...0.3.. HER EUAN ras aaa 1,600 
“Pvening Landscape,’’? Daubigny: Jong i} 
DEGREE EU LICOLY ois en uWal e's Gaba Die wired penta Rue 3,050 
“A Welr on the Stour,’’ Constable: N, | 


; 
i | 
i 


ee 
- 


PP IMIVIR, Sha kos.) Ci seh wivudee ete BARR use 2,400 |! 
“An Italian Bestival,”?; Monticelli; FR, i 
oe 8, 000 i 
“The Watnpeswifthy Glides,”’, Daubigny; 
Eg CET IMATE LOT: ep a Rmae ane MUN a 'aaLd Tie oie pa ee Ate 
SDOGUTEP ERIE ty cs EGAN ye dts bee oat ote SeMee ew alse 1,000 
“Studio of the Artist,’’. Ribot; 


Bch reds pons Gyn Riba ctatw Boab ohataWeiee caved Sain alacoisas 
us i 2,400 | 
‘The. Marmyard,’’ Monticelll; W. “Ww, 

Leese 


“Vhe Woodmarms Cot,’ Scott & 

Fowles 9, 200 
“Dutch Interior,’’?. Nevuhuys; OO. Bernet, 2,050 
“The Quartiers,’’ Millet; Knoedier & Co,16,500 
A Girl of Capri,’* Sargent; Knoedlop & 


Coret; 


ON Pee La re ey UN's RSS mand Wa wae he ambi ine eyed 
Bie Sereda Lake Nemi,’’ Coret; Knoedler 
: OS 1 6 BOS ae See DS Wid ap hLe ww leer b aha he ere eee ee 
) “Morning: Coast of Normandy,’’ Trovon; 
D1) Rei eae NY LIL s,s wide wae sunotalan fee ids ie eae . 
“A Tiller of othe Soily’*) Maris; Bl Fi, } 
Ft ORE neu Lo RRS» eibane sa a2 Waepetn park 12,900. 
, “A Gala Day,” Monticelll and Maris; . 
Pade CT NEM, 0 Mus sae engl Bes aver RRB | 


| An April 
fs Bock; G.. 


Sve ee a 


“Leading, 


Scheldt,” a canvas by Paul Jean Clays, 


8,600 | 


eine! Bo 
OTR Ee 


oyon; 
: ows,”’ 


Knoedléer & ( 


Maus ee ed ees eee ee sade bs web ses My 
wr 


raushaar...... Os Pid ha ag Sh Dei ehe 2,700 


ming in Holland,’* De 


fa! lv rei py BM lets ty 


the Calf’ Knocked! 
Down for $4,200. 

The: first session of the sale in the | 
Hotel Plaza ballroom of the late Icha- 
bod Williams collection of paintings 
brought a total of $34,600 last night 
for the fifty-eight pictures offered. 

A canvas by George Fuller, A. N. A., 
“Leading the Calf,” was bought by W. 
W. Seaman, as agent, for. $4,200... He 
paid $3,700 for the “Shepherdess, Sheep 
and Landscape,” by Emile Jacque and | 
Georges Michel. “Morning on the) 


was sold to §. Taylor for $2,650, and. 
R. H. Lorenz, as agent, paid $2,600 for 
Monticelli’s. “Returning from the 
Fields.” a a et PaO 

Knoedler & Co. gave $1,400 for “The. 
Barnyard,” by Ryder, and “Interior of 
Church at Almaar,”’ by Bosloom, went 
to N. M. Vos for $1,250. The Lotos. 
Club bought “The Muse of Music,” by 
Alden Weir, for $1,000. The sale ends: 
this evening. A: en 


EIT NTS 


~ PAINTINGS AT AUCTION "| 


| Good Prices at Dispersal of J. T. Wil 
liams’ Collection ds 

From The Inquirer Bureau. ‘ 
NEW: YORK, Feb, 3.—Dispersal of 
the: Ichabod T. Williams collection of 
| paintings began tonight in the ballroom 


lof the Plaza Hotel under the auspices of || 


jthe American Art Association, the total 
for the fifty-eight pictures sold at. the 
i first session being $34,600. The m 
important pictures of the collection — 


be sold at the final session tomorro\ 
acek ee ES 
The feature of the first session was 


the sale of George Fuller’s “Leading the 
Calf,” for, $4200, the highest price ever 
paid for a work by this artist at auction, 
he highest previous. price was. $4100, 


paid at the Thomas B. Olarke sale for | 
The . 
original of this painting will be sold to-} 


joni study of “The, Romany Girl.” 


morrow night. “Leading the Calf” was 


resented by W. W. Seaman, _ i 
The Lotus Club paid $1000 for J, Alden. 
Weir's “The Muse of Musié.” ‘‘Shepherd- 
ess, Shee 
Charles Emile Jacques and Georges 
Michel, brought $35/00, the © purchaser 
being a collector represented by’ Mr. Sea- 
‘man. ““Morning on the Scheldt,” a typi 
cal work by Paul Jean Clays, went? to 
S. Taylor for $2650. A collector repre- 
ser.ted by Miss R. H. Lorenz paid $2600 
for “Returning From the Wield.” by 
Adolphe Monticelli. M. Knodler & Com- 
pany paid $1400 for ‘The Barnyard,” 
by A. P. Ryder, a small picture, 1144 
inches high and 12 inches wide... . 


eorver 


i 


i purchased by an American collector rep- } 


and Landscape,’ painted by | 


ied 


aoe 


ao, 


ry 


ON FREE PUBLIC VIEW 
AT THE 


AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING THURSDAY, JANUARY 28rn, 1915 


AND CONTINUING 
UNTIL THE DATE OF PUBLIC SALE, INCLUSIVE 


NOTABLE COLLECTION 


OF 


VALUABLE PAINTINGS 


FORMED BY THE LATE 


ICHABOD T. WILLIAMS, ESQ. 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF TRUSTEES 


ON WEDNESDAY AND THURSDAY EVENINGS 
| FEBRUARY 38rp AND 41H 


BEGINNING PROMPTLY AT 8.15 O CLOCK 


IN THE GRAND BALLROOM OF 


THE PLAZA 


FIFTH AVENUE, 581TH TO 59TH STREET 
NEW YORK 


a 


a ad 
7 


1 
Ns es 


r 


ie" ee 


cea 


. 2 a aD r ee 

Lae 5 eS 

x x ar 4 

2 e 2 

a } 
ay 
/ 


% 


ILLUSTRATED CATALOGUE 


OF THE 


NOTABLE COLLECTION — 


OF 
VALUABLE PAINTINGS 


FORMED BY THE LATE 


ICHABOD T. WILLIAMS, Esa. 


OF NEW YORK 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
y BY DIRECTION OF 
THOMAS WILLIAMS AND HENRY K. S. WILLIAMS, TRUSTEES 


IN THE GRAND BALLROOM OF 


THE PLAZA 
ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 
6 EAST 23rv STREET, MADISON SQUARE SOUTH 
NEW YORK 
191% 


PART I 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

_ Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4, Delivery of any purchase will be made only upon payment 
_ of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. ‘Title passes upon the fall of the auctioneer’s hammer, and 


thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

4%. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 

SPECIAL NOTICE. 

Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone, will be faith- 
fully attended to without charge or commission. Any purchase so 
made will be subject to the above Conditions of Sale, which cannot 
in any manner be modified. The Association, however, in the event of 
making a purchase of a lot consisting of one or more books for a pur- 
chaser who has not, through himself or his agent, been present at 
the exhibition or sale, will permit such lot to be returned within ten 
days from the date of sale, and the purchase money will be returned, if 
the lot in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstanding. 
Not only should the lot number be given, but also the title, and bids 
should be stated to be so much for the lot, and when the lot consists 
of one or more volumes of books or objects of art, the bid per volume 
or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit should be sent or reference sub- 
mitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session thereof, 
will be furnished by the Association at a reasonable charge. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


‘ — 5 ’ 


FIRST EVENING’S SALE 
WEDNESDAY, FEBRUARY 3, 1915 


IN THE GRAND BALLROOM OF 
THE PLAZA 
FIFTH AVENUE, 587TH ro 59ra STREET 


BEGINNING AT 8.15 O’CLock 


A. GAUBAULT 


FRENCH: CoNTEMPORARY 


No. 1—THE BUGLER ie nv ere. 


i; ae Height, 814 inches; width, 61% inches 


In a flat field where the grass is yellowish-green, bounded by 
a wooded hill blue in the distance, a helmeted cuirassier, his 
armor shining, and wearing red trousers and boots, mounted 
on a gray charger is sounding a call or orders at the instance 
of an officer on foot. Bugler and horse are back to the spec- 
tator, in bright sunlight coming from the left, and the man 
standing is at their right, face to, addressing the bugler and 
with arm extended in the direction of the action going on. 


Signed at the lower left, A. GAUBAULT. 


GASTON. LATOUCHE 3 : | 
Frenc: 1854-—1918 | 


No. 2—ON THE BEACH | | 


1 Height, 8 inches; width, 54% inches 


On a broad flat sandy beach yellow in the sunlight, bordered 
in the distance by a blue sea, a heavy fishing boat with two 
masts has been run up at high tide, and stands upright on her 
blunt bottom. The white sails, lowered, hang in careless folds, 
and a man is about to haul himself up from the sands over 


the steep side of her black hull. 


Signed at the lower right, G. LaroucHE. 


GEORGES MICHEL 
— -Frencu: 1763—1848 


No. 3—LANDSCAPE WITH FIGURES 


ay aoe Height, 614 inches; length, 9 Ee eynirden_ 


A. BROAD earth road in the country leads straight away in the 

_ foreground, and turning, loses itself amongst low, rolling 

green hills that extend to the horizon. Entering the view it is 

_ yellow in warm sunshine, and it vanishes in the shadows of 

dark gray clouds, which mottle the face of the landscape. ‘Two 

- women in red, green, yellow and white are strolling in the 
road. | 

_ Signed on the back, MicueE., 18389. 


Dutcnu: 18385— 


. 
; Ses — MATTHEW MARIS . 
real 


No. 4—4FTER THE CHRISTENING 


a Height, 814 inches; width, 54% inches — . OSI. ‘C 


A SMALL hoy in pious attitude, with prayer or song book held 
before his breast, walks slowly toward the left, followed by a 
dignified man in dark breeches and red coat, who is accom- 
panied by a matronly woman, long folds of soft white drooping 
over her arm. Behind them, a step higher, come another sober 
man and woman, emerging from a brown-walled building. 


Signed at the lower right, M. M., 68. 
ti hath 


s . yes 


RALPH ALBERT BLAKELOCK, N.A. 
American: 184'7— 


No. 5—AN INDIAN MADONNA Ly ay () Be: 


up /¢ a Height, 8 inches; width, 6 inches 


A younG Indian mother is seated on a blanket on the grass, 
facing the observer. One knee is raised, the other rests flat on 
the ground, with foot folded inward. She wears a loose, light 
yellow gown, a jeweled necklace and a bracelet, and is bare- 
footed. Close at her side is a little papoose, swathed tight in 
yellow and Indian red, and seemingly asleep standing, the 
mother’s encircling arm all-sufficient support. 


Signed at the lower left, R. A. BLakELock. 


AUGUSTIN THEODULE RIBOT 
FrencH: 1823—1891 


No. 6—THE COOK 


oe Height, 11 inches; width, 814 inches 


Harmony softly melodious—a motive in rich browns, olive and 
gray, and the tones of sun-warmed flesh. ‘The background is 
dark brown, varying in intensity, the whole surroundings are 
dark, with a subdued light from above on the right falling upon 
the gray-white cap and coat of a hardy peasant who is seated 
beside a dark brown basket of green vegetables. 


Signed at the lower right, T. Rrsot, 1853. 
Purchased from the late Daniel Cottier. 


ANTOINE VOLLON 
Frencu: 1833—1900 


No. 7—REMBRANDT ea: (3 Fo ee 


a, 1 Height, 111% inches; width, 9 inches f 


Stupy-copy of a portrait of Rembrandt, in head and shoulders, 
as a young man. He is in the picturesque costume of the age, 
all dark, and wears a large, full, dark velvet cap, below which 
his dark reddish-brown hair falls to his shoulders. ‘The sub- 
ject is seen in a screened light, as though through a haze or in 


dusky precincts. 
Signed at the lower left, A. Vouuon. 


Purchased from Messrs. Cottier & Co. 


WILLIAM GEDNEY BUNCE, N.A. 
AMERICAN: 1840— 


No. 8—APPLES 


Height, 10 inches; length, 144%, inch . 
Be StU 


LyrnG in a small, gray-white china dish are a large ripe goldén- 
yellow apple with a soft bloom on its delicate skin, and the Nalf 
of a rosy apple, its flesh exposed even to the seeds of the split 
core. Back of the dish, on the yellowish-mahogany table, is a 
large apple, red and light green; glossy green grapes are scat- 
tered on the table beside it; and the background is a rich, dark 
green, modified by reflections from the table—the whole in 
“Juicy” color. 


Purchased from Messrs. Cottier & Co. 


eo ae eo oe - 


ie 


ALBERT PINKHAM RYDER, N.A. 


American: 1847— 


No. 9—THE BARNYARD 


ve Height, 1114 inches; length, 12 inche 
[4-0 Wn. brsc der | 


AumostT in the values of rich enamels is the opulent coloring 
which the artist has given to this painting of a homely farm- 
yard scene. A rare mahogany appears the ripe luxuriant 
thatch in the steep roof of the chimneyed white-walled build- 
ing on the left, which connects with the brown roof of an open 
shed across the background in which olive notes mingle with 
the brown. On the right a line of thick, low-branching poplars 
closes in the barnyard, their dense, dark-green foliage in shadow 
casting a dark shadow of its outline on the yellow straw-colored 
ground. Out in the bright sunlight, on the ground, a game 
rooster looks up toward a heavy bay horse standing patiently, 
unattended, between the shafts of a two-wheeled cart piled 
high with gray-green hay. 


Purchased from the late Daniel Cottier. 


lon gh pon bukioh, 


FRIEDRICH BOSER 
German: 1811—1881 . 


No. 10—DEVOUTNESS 


Height, 15 inches; width, 10 inch } 

Se d oF. ry eae 
BEFroreE a quiet gray architectural background—a church wall _ 
—a pious young woman in black peasant dress, her head — 
wrapped in a black scarf which reveals the brown hair over her 
broad forehead, is standing with a closed Bible held in her 
clasped hands. She is seen at three-quarter length, her figure 
to the right, and fair face bent to the left, where a strong light 
illumines it. tsi 

Signed at the lower left, F¥. Boszr, 1879. 


| > 
“ ALEXANDER H. WYANT, N.A. 


NY Fn 
Ww oe American: 1836—1892 


No. 1I—LANDSCAPE 
(Water Color) 


p Height, 14 Arab hr width, 10,inches 
gees oe (to (3 wer 
In a bowl amongst broad, high hills—perhaps well up in the 


mountains—a blue lake comes into view on the left, project- 
ing well into the picture. On its sloping bank in the fore- 
ground, autumn-colored herbage and one or two detached slen- 
der trees, in a bright light, lead to dense woods relatively in 
shadow, which continue around the lake shore. The sky is filled 
with light clouds and shows only a patch of blue. 


Signed at the lower right, A. H. Wyanv. 


ALFRED STEVENS — 
Bewieran: 1828—1906 ‘ 


No. 12—GIRL IN WHITE 


ci ed oe Height, 13 inches; width, aay ea me merel Ley. ee 


A YOUNG woman in a diaphanous white gown with flowing , 
skirts is seated facing the spectator on a sofa covered with | 2 (segs 
glowing crimson drapery. Her hair, slightly disheveled, hangs 

in loose curls. She has turned her head toward her right, 

whence comes a strong light striking full upon that side of 

her face and causing the left side to appear in transparent 


shadow. 
Signed at the upper right, AS, in monogram. 


G. BONNEMAISON 


Frencu: NINETEENTH CENTURY 


No. 13—THE POOL ; 
ss Fil ce Height, 14 inches; width, 101% wmches 


RUGGED in age a gray-trunked tree, with branches somewhat 
gnarled, seems to stand guard over a small spring-pool in a 
meadow, the pool lying in front of it with dark and placid sur- 
face lighted by reflections from a white sky. Wending her way 
leisurely over the soft grasses and weeds a peasant woman 
approaches from the right, wearing a white cap, gray jacket 
and dark skirt, and carrying a burden in her blue apron. Across 
the background are lesser trees but of dense deep-green foliage. 


Signed at the lower right, G. BONNEMAISON. 


Purchased from the late Daniel Cottier. 


LOUIS METTLING 
German: 1847—1904 


No. 14—RELICS OF THE PAST 


we i Aer Height, 18 inches; width, 9 inches } hh wv tger 


A RAW-BONED, blue-eyed youth, seated on a low cask and ob- (/ 
served in a half-light, is indulging in martial dreams. He has 

clad himself in a soldier’s brass-buttoned great-coat and cam- 
paign hat, shoes that are too big for him, puttees or leggings 
which sag, and he holds under one arm a folded red blanket. 
Between spread knees his lanky hands close upon the scabbard 

of a long sword whose hilt is high as his shoulder. 


Signed at the lower left, MetTrTuine. 


Purchased from the late Daniel Cottier. 


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JOHANNES BOSBOOM oy 
“3 Duron: 1817—1892 


yo No. 15—INTERIOR OF CHURCH AT oxmaan ee 


y meleey 5p ¢ ee Height, 124% inches; width, Gow s v 
: g tN MUN 
In the interior of the “Groote Kerk,” at Alkmaar, the artist 


has noted a charm of subtle values, a pleasing study of lights 
and shade, of gray tones and somber accents, relieved by touches 
of subdued but rich color. In the foreground, beneath impos- 
ing blunt-pointed groined arches upheld by round pillars on 
square bases, the whole in clear, transparent shadow, a man, 
woman and child are standing in a group. 


Signed at the lower left, J. Bospoom/ 
Purchased from the late Daniel Cottier. Lo dee on d 


2 


ee ee —— —_— 


JACOB MARIS 
~  Durcu: 1838—1899 


No. 16—THE SIESTA Wn. (ers pe 


7 3 0 ada Height, 84% inches; length, 13/4 inches 


(In emulation of Delacroix.) A glowing essay in rich, melli- 
fluous color, picturing a period of restful indulgence in a Moor- 
ish lady’s day. The dark-haired beauty, good to look upon, 
reclines on her left elbow, facing the spectator, figure partly 
erect and knees drawn to right angles along the couch—which 
is formed of a mass of rugs upon the floor—in an Oriental 
luxuriance of cushions and chromatic splendor. The rich drap- 
ery of her apparel, rose-pink and red, cream, green and white, 
flows gracefully and loose, without submerging the suggestions 
of the figure. Her dreamy face is in transparent shadow. A 
peacock-feather fan is at one side and a gay-plumed bird of . iit 
tropical lands is perched above her. 


i 

Signed at the lower left, J. Maris, fc., 1871. i 

Purchased from the late Daniel Cottier. Yo Ievwrd il 
| 


THOMAS COUTURE 
PRrencu: 1815—1879 


No. 17—FAUST AND MEPHISTOPHELES 


wre Height, 15 inches; width, 10}4_upches 
Osa 9 gees” Ve, 


Faust in feminine model is seated in languid attitude on the 
left, sword between knees and left arm carelessly resting on 
the coping of a terrace, on a ledge of which he is sitting. He is 
in red tights, with upper body clothed in dark stuffs, and wears 
a red cap with plumes. At his side Mephistopheles, standing, 
clad in red with brown tights, is singing, accompanying him- 
self on the guitar, and seen to the right with head thrown back. 


Signed at the lower left, 'T. C. 


Purchased from the late Daniel Cottier. 


FERDINAND VICTOR LEON ROYBET 
Frencnu: 1840— | 


No. 18—ABDUCTION OF REBECCA 


3 4 Height, 12 inches; length, 14 or 

Two dark-skinned turbaned horsemen Y. on ] ih hee if 
the foreground, their mounts facing to the right. ‘The negrer 
rider, in red, a knife in his belt and scimitar in hand, sits a 
black charger, his comrade beyond him a brown one. The 
second man is in darker garb, and grips to his saddle-bow the 
fainting Rebecca, her head fallen forward on the horse’s neck. 
At her feet, between the two horses, is the prostrate body of 
her defender—who thought himself succoring Rowena—a 
broken lance at his side. About, on lower land, is the turmoil 
and confusion of battle, and at the left the round tower of 
Front-de-Boeuf’s castle on fire. 


Signed at the lower left, F. Royser. 


Purchased from the late Damel Cottier. 


A. L. HERVIER 
Frencu: 1817—1879 


No. 19—FRENCH FARMYARD 


/ Height, 191% inches; ey inches 
Cae ATS, 


IPE and mellow in their time-seasoned coloring are the tall 
plaster walls of old rookeries of houses on the outskirts of a 
French town. Gray their tone, sobered with brown, a touch of 
yellow and faded red in the roofs, which take many lines. Un- 
der the shelter of a porch roof a woman is washing clothes in 
a wall basin at the top of a few stone steps, and in another 
doorway a child is sitting. Close by in the happy-go-lucky 
yard chickens are feeding, gathered about a woman who looks 
idly at them. 

Signed at the lower right, HERVIER. 


aie 


ADOLPHE MONTICELLI 
. Frencu: 1824—1886 hs 


No. 20—RETURNING FROM THE FIELDS 


25 ( Nes Height, 11 inches; length, 14 te 
ie VVNAAL (2, ; 


On the right the lower flank of a massive hill or mountain i 
brilliant with color, the huge mass rising out of view ad i 
lower reaches extending well into the picture and joining | 
green rolling foothills on the left. In the foreground in bright 
sunshine two young light-haired women in white, red, yellow ~ 
and green are walking, wearily, around the foot of the hill, 
and back of them, seen under the branches of a tree, trudge two 
more figures, their costumes red and blue. 


Purchased from the late Daniel Cottier. JLo 


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ARTHUR B. DAVIES 
AMERICAN: 1862— 


No. 21—SISTERS 


Height, 16 inches; wid, 1 inches 
CaN ome Ween VWprtirr 
A SKETCH or study of rich tonal effects in subjects, background 
and light, the heads of the sitters carried out, their gowns left 
as color masses though sufficiently indicated. <A tall young 
woman, fair, with golden hair and warm lips, is seen at half 
length, standing, her head inclined toward her right shoulder 
and her face turned three-quarters to the front. A small girl 
with long reddish-brown hair, seen head and shoulders, is stand- 
ing in front of her. 


Signed at the lower right, A. B. Daviss. 


JOHN HENRY TWACHTMAN ,¢° 


AMERICAN: 1858—1902 Al 
No. 22—-WINTER LANDSCAPE y ( fi: 
ik p Height, 13 inches; length, 21 incl | 


Snow lies deep over fields, meadows, dunes, at the borders of 
a salt-water bay. The soft gray-white covering has in large 
part a rolling surface of small hollows and low mounds, fol- 
lowing the contour of the uneven land, a broad stretch in the 
foreground somewhat sheltered exhibiting a smooth spread, 
unbroken save for a patch of brown weed and a short scraggly 
tree, to whose branches cling a few brown-red leaves. Near 
it a solitary figure in red and blue is making slow way, plod- 
ding through the snow toward a group of buildings in a clump 
of trees on higher land ahead. At different places in the 
meadows the tops of rail fences and haystacks appear, and in 
the distance at the shore line or in inlets the masts of sailboats. 
The sky, cold and foreboding, is filled with clouds. 


Signed at the lower left, J. H. Twacurman, New York, 1879. 


Purchased from the artist. 


pecrd 


ROBERT SWAIN GIFFORD, N.A. 
AMERICAN: 1840—1905 


No. 23—LANDSCAPE NEAR NONQUITT 


Height, 10 inches; lengtl 


Tue fall of the year has come, and erbage and beach .bushes 
have taken on the sere and yellow along wide-stretching 
marshes bordering the sea or an arm thereof, which lies, a faint 
blue streak, against a low horizon. The sky above is screened 
by massing clouds, white near the horizon and dark, dull, cold 
gray overhead. Along the meadows, which are still green in 
patches, goes a bird hunter in a red jacket, his gun held ready, 
and gulls or other birds are in flight against the sky. At 
the right is a hayrick. | 

Signed at the lower left, R. Swatn Girrorp, 776-7. 


Purchased from the artist. 


HENRY MUHRMAN 
AmERICAN: 1854-— 


No. 24—STILL LIFE—FRUIT Me a 


Height, 16 wches; psd iye! inches 
66 
( Wh Pee ‘ Wy tt 0 y ZY 


AGAINST a background of dusk—the shadowed recesses of a 
room—a salver of cheer lying on a table catches restricted rays 
of light. The salver is of gray metal, resting on a brownish 
surface, and it holds a grayish dish, whitening in the high 
lights, which contains fruit-cake, nuts, and apples of deep, rich 
red, and beside the dish is a ready knife. Near it is a glass, its 
liquid contents colorless but supporting a lip-moistening slice 
of lemon. 


ZA 


Signed at the lower left, H. Munrman, 1880. 


Purchased from the late Daniel Cottier. 


-* 


WILL H. LOW, N.A. 
AMERICAN: 1853— 


No. 25—ON THE SEINE 


4 b et. Height, 15 inches; length, We oo Gp ee. 


Unper a soft glow of yellowish light, sunshine subdued by all- 
pervasive vaporous clouds, a bend in the river is disclosed, its 

farther bank a lightly wooded hillside sloping in the direction 
of the distance to a flat shore where poplars rise above the 
masses of low trees and bushes. Of the nearer shore a corner 
only comes into view, in the right foreground, a green-edged 
sandy or clay bluff. In the stream and moored to this bank 
is a freight sloop of Rouen, stern on to the observer, while a 
smaller sloop bow on is alongside her and a tender of the 
larger boat swings inshore. 


Signed at the lower left, Witu H. Low. 


Sa =>. 


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SAMUEL COLMAN, N.A. 
AmeErican: 18382— 


No. 26--A SUNNY AFTERNOON: 
PORT OF ALGIERS 


3 Pees: Height, 1414 inches; length, 27 inches a 
A SCENE populous, brilliant and full of Oriental color is pre- - 
sented, in bright sunshine under a pale greenish-blue sky ( 

lightly veiled and holding a few strata and detached puffs of 

tinted clouds. ‘To right the blue and green rippling water 

of the harbor extends to distant brown and yellow mountains, 

seamed and broken, the farther ranges of the higher peaks 

vague in an opalescent haze. To left the terraced stone quays, 

a grayish sandy-red, mount from the foreground, where 

brightly clad natives smoke placidly on bundles of fugs, or 

gaze waterward, to a higher level where a throng of Algerians 

in equally gay apparel, some on camels, are relieved against a 

veritable mass of lateen-rigged shipping. 


Signed at the lower left, ers) Cotman, 1877. 


HENRY MUHRMAN 
AMERICAN: 1854-— 


f 


No. 27—THE HAY FIELD 


e (an Height, 16 inches; length, 23 inches 
a he 4). 13 


Rowing lightly in its surface but maintaining a general level, 

a broad hilltop extends across a high horizon. 'To left a solitary 
oak tree sends its foliage above the picture’s height, at the 
right two smaller trees come just within view, while along 
the crest occasional bushes project themselves against the sky. 
The forward slope of the hill, irregular, is given over to hay, 
growing in careless and luxuriant abundance, the field partly 
mown. ‘Two laborers are busy with scythes, another is loading 
the hay upon his cart. The sky is graying in a brisk breeze and 
there is a hint of moisture in the air. Sketchily and freely 
painted as a quick record of impressions. 


Signed at the lower left, H. Muurman, 1889. 


Purchased from the late Daniel Cottier. 


WILLIAM TROST RICHARDS, N.A. 
American: 18383—1905 


No. 28—THE WISSAHICKON 


s om) ee Height, 241%, inches; widt unches 


‘ 


STANDING Just within the edge of a wood, on low ground, the 
spectator looks out across a brook to a grass-covered hill on the 
other side sloping toward the left, a few outlying trees seen on 
it in the distance. Within the wood the trees are turning from 
their green to autumn reds and browns, and brown and red 
bushes come up from the green grass among gray and spotted 


rocks. 
Signed at the lower right, WM. 'T. Ricuarps, 1877. 


C. F. HILL 


Frencu: NINETEENTH CENTURY 
No. 29—LANDSCAPE 


. ; Height, 29 inches; width, 21 inches Sf 

ON a gray day with plenty of light the bend of a river $r the 
confluence of two streams in a wooded landscape is pictured 
with marked contrasts of light and shade. From the left the 
river, or an affluent of the larger stream, comes into view 
in the shadow of a middle distance wooded point, beyond which 
the waters broaden, turn from dark green to light gray, and 
in the distance exhibit a streak of white along a background of 
woods. The foreground shore is narrow, yellow appears 
amongst its grass, and slender birches from which a few lin- 
gering leaves flutter rise out of the picture. A warm note 
is supplied by a boulder which iron corrosion has turned a 
soft reddish-brown. 


Signed at the lower right, C. F. Hix. 


Purchased from Messrs. Cottier & Co. 


EDWARD PORTIELJE 
Beitcian: 1859— 


No. 30—THE BUTTERFLY 


ae ZO oe Height, 804 inches; width, 24 inches 


Tue three-quarter length portrait of a pretty little blonde 
Belgian girl, standing beside a potted rose-plant in bud, about 
to catch a tortoise-shell colored butterfly which has alighted on 
one of the green leaves. She is facing the left and is seen a 
little more than in profile. Her light brown hair is partly 
bound with a bright green ribbon held by a pear! pin, and partly 
is hanging down her back. 


Signed at the lower right, PortiELJE, ANVERS. 


PROSPER MARILHAT 
Frencu: 1811—1847 


No. 31I—OLD TOWER AT CAIRO 


7/6 fbn Height, 25) inches; length, 32 yfches 
_ Uwpber a sky whose blue has largely taken oy the greenish- 
turquoise hue, veiled by an attenuated cirrugs/ curtain which 
assumes a denser consistency near the horizon, the artist has 
pictured an ancient tower wall of Cairo, partly in ruins. 
Within a darkened gate turbaned figures are silhouetted 
against the distant sky; over the arch and along neighboring 
ledges green plants flourish, natural gardens in the niches 
abandoned to time. ‘The continuation of the wall toward the 
right looms red and glowing in the sunlight, which falls 
brightly also on the figure of and old man seated on the ground 
against the tower wall, looking up at his motionless enigmatical 


camel. 
Signed at the lower left, Marityat, Carre, 45. 


Purchased from the late Daniel Cottier. 


PAUL JEAN CLAYS 
Betcian: 1819—1900 


No. 32—MORNING ON THE SCHELDT 


pale ( a0. oe Height, 32 inches; width, he Cn 


A BRIGHT morning has opened -with a brisk and/freshening - 
breeze, white cumulus clouds are billowing large in\a sky whose - 
blue is seen well aloft, and the broad waters of the Scheldt 
are broken into dancing wavelets, whitened by the all-pervad- 
ing reflections from on high. Against the sky and water are 
spread the graceful wings of early birds. On the river the 
sailors are astir betimes. Instead of majestic sail motionless 
in hazy calm, which Clays so placidly paints in many familiar 
compositions, here five of the heavy sloop-rigged working 
boats characteristic of the locality are standing away from a 
low shore, in the general direction of the spectator, in fresh 
and sparkling air. The most conspicuous, near at hand, her 
blunt bow painted yellow and lee-board hauled up, has a main- 
sail of soft smoky-gray, fore staysail stained brown, and carries 
a company clad in bright colors. 


Signed at the lower one P. J. rea ee 
Purchased from Messrs. Cottier & Co. 


On the back: “No. 10. Effet de matin, mer houleuse dans FES cats 
Bruxelles, 1874. (Signed) P. J. Cuays, prnx.” . 


JOHN BUNYAN BRISTOL, N.A. 
. AMERICAN: 1826—1909 


No. 33—LAKE CHAMPLAIN 


} ii eae Height, 20 inches; ee le 


Distant mountains are faintly opalescent under a gauze-like 
haze of a hot day in summer, the range extending across the 
picture on the far side of the broad lake, the lake filling the 
middle distance, with a broad valley for its hither shore dotted 
with farms, buildings and woods. ‘This, too, is partly screened 
by the haze, while in the foreground higher land of rolling 
surface, cut by rail fences and winding roads, comes into bril- 
liant vision in the sunlight. A single figure is seen in a path 
leading to a farmhouse all but hidden among the trees. 


Signed at the lower right, J. B. Bristor, 1876, 


Purchased from the artist. 


HENRY MUHRMAN 
AMERICAN: 1854— 


No. 34—FILLING UP POND, HAMPSTEAD 


ee Height, 24 inches; length, 36 saches 
/7 4 2 Tit ohn pg ee 
At the foot of a high hill which crosses the background is a 
pond that occupies middle distance and foreground on the 
right, its low, irregular green bank taking up the left of the 
picture. Along the edge of the water are figures and a horse. 
and cart. The artist found much to interest him about Hamp- 
stead Heath, where his home was. The whole picture here is 
a mass of green, subtly varied in tone, the larger part of the 
landscape a deep green, in shadow; while light strikes broadly 
upon the farther shore of the pond, and among the thick green 
trees of the high hill across the back appear red roofs and 
chimney-pots. : 
Signed at the lower left, H. Muurman. 


Purchased from the late Daniel Cottier. 


WORTHINGTON WHITTREDGE, N.A. 
| American: 1820—1910 


~ No.'!35—AUTUMM ON THE DELAWARE 


BS. iG: (*__ Height, 27 Sty sy length, 85 inches ; oy 


Woops are red with the brilliant autumn color for which 
American ‘landscapes in these latitudes are famous—woods 
and wild lands where bushes share the splendor. On the left 
a broad hillside receding to the background is a mass of color 
in the sunshine, green persisting through the field-yellow of 
autumn, and rosy red in flushes brightening the whole. From 
the right a screen of trees or point of woods projects in the 
| middleground, their foliage green, red and brown; and their 
: shadows and colors are thrown forward upon the gently 
rippling mirror-surface of the river, where it makes a bend in 
the foreground. 


Signed at the lower right, W. WuitTREDGE. 


JAMES DAVID SMILLIE, N.A. 
American: 18338—-1909 


No. 836—EVENING, HIGH SIERRAS, ; 
CALIFORNIA 


5 O00 =o Height, 23 inches; lengph, 40 7 oy : ; 


EKvENING has descended upon the valleys, giving them a soft- 
ened twilight, clear and cool, while the high peaks of the 
mountains are yet bathed in light from the sun setting behind 
the spectator and at his left. ‘The rugged flanks are a blend 
of soft, warm colors, under a pale robin’s-egg sky tinged with 
rose, the farthest summits in the left distance receding into a 
haze. In the foreground is a rocky plateau, to which some men 
with laden burros are mounting from a green middle-distance 
valley, which is lined with tall pine trees and threaded by a 
brook. 7 

Signed at the lower left, J. D. Smiuutm, 1876. 


JERVIS McENTEE, N.A. 
: AMERICAN: 1828—1890 


No. 37—“WHERE LATE THE WILD FLOWER 
BLOOMED, THE BROWN LEAF LIES” 


pias ¢ 0“ Height, 24 inches; length, x. hes 
Across a rounding valley or hollow, suggestive the bowl of 
a non-existent lake, the eye travels to a far-away blue peak, 
visible above the brim. ‘The sides of the bowl are a rusty green, 
while at the center of the bottom the verdure is fresh and bright, 
kept young by moisture in its depressed and sheltered spot. 
To right are brown bushes, and in the foreground brown 
brush above the green and brown earth is colored with bril- 
liant red and yellow leaves. Along the left are russet woods, 
the slender trunks of all but leafless birches marking the en- 
trance, and a man and woman are walking in a winding road 
from them. 

Signed at the lower right, J. McEnrer, N.A., 1877. 


JACQUE AND MICHEL ok 


CHARLES EMILE JACQUE 
Frencu: 1813—1894 


; e 
GEORGES MICHEL c-> | 
FRENCH: MES seer \ 


No. 38—SHEPHERDESS, SHEEP AND o 
LANDSCAPE 


3 7 fo'+ Height, 32 inches; width, 26 in 


THE spectator is taken close to a restful scene in a beautiful 
spot of the French countryside. He is led to the foot of a ven- 
erable tree, noble of aspect, majestic in proportions, its mighty 
trunk in the center of the view supporting weighty branches 
whose thick foliage spreads over the picture and unites with 
that of a brother monarch at the right. On the green grass at 
the base of the tree a white-capped, bare-footed shepherdess, 
in gray waist and blue-green skirt, has seated herself, lean- 
ing against the trunk, and fallen asleep, her head resting 
against her hand. Her little flock of six gray sheep has come 
close to her, three of them lying down at her feet, one browsing 
while he lies. Here and there in the herbage appear the bright 
notes of poppies. The light is modulated pleasantly, and the 
qualities in the rugged, weathered trunk present their values 
in SURETY effect. Beyond is a sunny field. 


Signed at the lower left, Cu. JAcaus. 


Purchased from the late Daniel Cottier. 


Penciled on the back is a memorandum in French, dated March 15, 
1874, beginning “This picture” and containing the name ‘‘Michel,” but 
it has been so badly rubbed that the rest of its content is not decipher- 
able. It is in Jacque’s hand and signed by him. At some time a be- 
ginning has been made to reproduce it in ink below, but, unfortunately, 
abandoned. All that can be made out is: “15-3-1874. Ce tableau 

. Michel. . . (Signed) Cu. Jacauzr.” 


LOUIS EMILE ADAN 
Frencu: 1839— 


No. 389—CATHERINE DE MEDICIS IN COUNSEL 


oe 7. Ss oe Height, 31 inches; ag Sap 


In a palatial hall (doubtless of the Louvre) with a majestic 
fireplace and elaborately sculptured mantel and chimneypiece, 
the queen regent, in black—still a young-looking woman—is. 
seated in counsel with some of her advisers. She occupies a 
high-backed carved throne chair, and faces the observer, point- 
ing to a spot on one of several parchment plans spread on the 
long table in front of her and waiting for an answer or com- 
ment from a cardinal at her left. He is engaged in deep 
thought, pondering the plan and her proposition or question. 
More distant at her right, a white-ruffed member of the court, 
silent and intent, also awaits the churchman-statesman’s reply, 
while two warriors in helmet and corselet—perhaps de Guise 
and de Lorraine, the commanders of her Roman Catholic 
army—who are seated on wooden stools at the board, lean 
forward in keen attention—one in green, seen in profile, the 
other in red, in back view. A strong light is concentrated on 
the group, and back in the shadows stand two halberdiers. 


Signed at the lower left, L. Eine Apay. 


GEORGE FULLER, A.N.A. 
AMERICAN: 1822—1884 


Niels 40—LEADING THE CALF 


Height, 36 inches; oe 5014 inches 
Od Ug 


A spacious and characteristic. Aeeue nore opens 7 


view, the land descending from the left and developing into 
rolling country in the night distance. There are light airy 
woods and rambling meadows, and the whole prospect is 
enveloped in a soft, subdued light and just slightly hazy at- 
mosphere. It is accomplished in a careful and sure study of 
tender greens, browns and grays, a successful adjustment of 
delicate values, with notable effect. The slope at the left sup- 
ports in the foreground a graceful birch tree, back of which 
slender trees and underbrush form a light screen against a 
green-blue sky veiled by gauzy white clouds. In a winding 
field road at the foot of the birch a farmer’s boy in overalls is 
leading an awkward white calf, and back of them in a bend of 
the road the head of a brown cow coming around the hill is 
visible across the slope. On the right a few more slender trees, 
with feathery foliage, continue the light leafy screen across 
the middleground, before the yellowish-green meadows. 


Signed at the lower aes G. Foner, 


Purchased from the late Daniel Cottier. 


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THE MUSE OF MUSIC 
Ree ae der ee ae 


. ALDEN WEIR, N.A. 


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JULIAN ALDEN WEIR, N.A. 


AMERICAN, 1852— (s« . 


No. 41—THE MUSE OF MUSIC 


Height, 44 inches; widt hes f 1 pe 
/ 0 pote 


Acatinst a dark background of spacious depth, sparingly 
touched with color accents, a dignified young woman of com- 
manding mien and gracious expression is seen at three-quarter 
length, seated and facing the front, her head turned slightly to 
her left. Her Titian hair is loosely puffed and lightly bound 
above her brow. Her white drapery, disclosing shoulder, a 
handsome arm and an expanse of delicately toned breast, lies 
in graceful folds and reflects a soft maze of fleeting color notes, 
delicate olive-yellow mingling with diaphanous gray-white. 
Her right elbow rests on a gray sculptured balustrade, the 
hand carried up to her cheek and temple, and her left hand 
overhangs a mellow-hued lyre which rests upright beside her. 
The flesh tones are soft and warm. 


Signed at the lower right, on the lyre, J. AtpEN WEIR, 
"82-84. 


Painted for the late owner. 


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HEIGHTS OF MC 


_* MARTRE 


. ES of 


GEORGES MICHEL 
Rrancusty63-- 1913 


No. 42—THE HEIGHTS OF MONTMARTRE 


Height, 331 inches; length, 47 inches 
Se tear Van 

Nor the aspect familiar to revellers of the night at the French ~ 
capital, but a broad prospect of mount and plain, the distant 
valleys still dark, under a characteristic Michel sky of glow 
and thunder-gray clouds. ‘The wooded heights, green and 
brown, coming into view on the right, slope to a plateau of 
the middle distance which is circled by a road and appears in — 
the glow from the sky. Lower down, to left and beyond, 
the land is dark, well wooded and irregular, and ends in a 
flat horizon. In the foreground a dark green and brown bluff, 
part of the heights, overlooks the warm yellow plateau, and 
the figures of two persons and a dog at the bluff’s edge stand 
out in silhouette against the bright glow. 


Purchased from the late Daniel Cottier. 


SAMUEL COLMAN, N.A. 
American: 1832— 


No. 43—QUIMPER | 
: (Water Color) 


rue. He ht, 49 inches; w ey) 23 inches 
pes g 


A STONE-PAVED street, of a jieht oo. hue, its surface ir- | 
regular, and without defined sidewalks, leads straight from the | 
observer to the deeply recessed porch of a church or cathedral, 
above whose vaulted roof rise quadrilateral towers supporting 
graceful spires. Sunlight from the right and back of the spec- 
tator illumines the church entrance and a number of persons 
there congregated, while it lightens one side and shadows the | 
other of the street in the foreground, where the congregation is 
greater—especially near the porte of a débit de vin on the left. 
The costumes are full of color and the color tones of the build- 
ings are soft and delicate, like the light in which they are 
bathed. 


Signed at the lower left, Sam’L Cotman, 1877. | 


FRANK MURA 
American: 1860— 


No. 44-ON THE DUTCH COAST 


a Tse Height, 35 inches; length, 51_inches | 
Unper a brilliant blue sky in which tenuous cloud masses 
lightly—colorful masses they are, white and pale gray, mauve, 
pink, yellow—a bit of the Dutch coast is seen, the view being 
seaward. The foreground is a broad flat beach, its moist sur- 
faces reflecting many color tones. To right are abutting 
dunes, and beyond their tops are suggestions of trees or tall 
chimneys. 'The sea is seen at the left, with vague sails in the 
distance, and along the shore line in the middle distance the 
waves are breaking into tossing white surf as they roll up the 
beach. Taking up a large part of the view, and most conspicu- 
ous, is the hull of one of the heavy, broad-bottomed Holland 
sailing boats, dismasted, lee-board hauled up against her side ~ 
and two figures apparently at work aboard her. She affords 
the artist the best of his color scheme, in her weathered grays 
and greens and rich mahogany-browns. Beside her a peasant, 
in blue blouse, yellow-gray trousers and sabots, stands at the 
head of a white horse drawing a loaded two-wheeled cart. 


Signed at the lower right, Mura, THe Hacue. 


Purchased direct from the artist. 


OLD MASTERS 


ADRIAAN VAN OSTADE 
Durcu: 1610—1685 


No. 45—DUTCH INTERIOR 


/ 07 ae Height, 9 inches; width, Dee, g 


¢ 


In a fine mellow old Dutch peasant interior, with rushes droop- 
ing from the rafters, a jolly codger is seated on a heavy wooden 
bench, before a small fire glowing on a huge hearth. He has 
smoked his fill, his clay pipe has dropped to the floor, and he 
lounges with head propped on hand, half dozing. He is in 
brown and greenish-blue, and the walls about are warm mahog- 
any-brown tinged with olive. From the great conical fireplace- 
hood a pictured owl gazes solemnly down. 


DOMENICO ZAMPIERI DOMENICHINO 
Travian: 1581—1641 


No. 46—THE APOTHEOSIS OF THE VIRGIN 


Tur Virgin is seen in a burst of glory in the skies, cherubs 

and cherubim emerging from the aqueous vapors around her. 
Below, elders of the people—or the Apostles—there are twelve 
of them—look in wonderment and amaze. The Virgin is robed 
in green ‘and royal purple, and the figures below are in rich 
colors but subdued. 


Bie > zy G9, Height, 12 inches; width, 9 Wrz, en ‘yell 
: 
| 


From the Academy of Santa Luca, Rome. 


AART VAN DER NEER 
mo Durcu: 1603—1677 


No. 47—EVENING: HOLLAND 


- Height, 161% inches; width, 18 inches 


QuieET and peace in secluded 2k be ancient Holland. 
On the left a tall building with stepped gable outlined against 
a bank of white clouds tells the location of the hidden moon. 
“in arbor gives entrance to the building. In front of 1t an 
elderly woman has opened the gate to welcome a visitor, both 
she and her pet dog gazing in the direction of his approach. 


Signed at the lower left, AV. N (the AV in monogram). 
Purchased from Messrs. Cottier & Co. 


GIOVANNI BATTISTA SALVI 
~(SASSOFERRATO) 


Tranian: 1605—1685 
No. 48—MADONNA AND CHILD 
q 0 ee Height, 19% inches; width, ee 


THE figure of the Child is foremost, seen half-length as He 
lies on the Mother’s breast, supported in her arms, His head 
fallen back across her shoulder in benign sleep. He is swathed 
in white. The Virgin, with an oval face very young and very 
tender, looks upon him with solicitous care, her head and en- 
folding arms only visible. She wears a rich and brilliant blue- 
green cloak, with sleeves edged in a pinkish-red, and a diaphan- 
ous white mantilla. Her hair, brown with a tendency to red. 


From the Academy of Santa Luca, Rome. 


JAN VAN GOYEN 
Dutrcu: 1596—1656 


No. 49—BOATMEN IN HOLLAND 


ai) pat Height, 1614 inches; width, 12 inches 
anv. 

In mellow coloring a bit of ancient Holland is pictured/ under 
a cool sky with gray clouds. A high wall, in soft yell6w tone, 
intersected by a tall tower with a red-tile roof, is relieved on 
either side by flourishing green trees. At the foot of the wall 
a river passing in the foreground is colored with reflections 
in low keys. Here in a boat are three old watermen. 


Signed on the boat, J. v G. 


EGIDIUS VAN TILBORGH | 
Fiemisu, circa 1625—1678 (?) 


No. 50—THE WINNING CARD 


ets oe Height, 2214, inches; width, 1614 unches 


GavTuEren in a fine old smoke-mellowed inn room are a parcel 
of hardy Flemings. Light admitted through a high window 
of diamond panes on the left illumines the seven visitors, those 
of central interest being a fat man in a green jacket and an old 
woman in blue, pale-red and gray, playing cards at a round, 
tripod table of plain polished wood. The man, with a provo- 
cative if not gloating smile, exposes his hand while the woman 
with a grim smirk holds hers ready for play. 


AN 


Signed on the edge of the table, 'T1LBoReH, P. 


SALOMON RUISDAEL VV 
DutcH: 1600—1670 | Ma 


No. 51—HOLLAND LANDSCAPE | y-f 


Hf / 0 ve Height, 14 inches; length, ee (3 
: tee 


A RIVER or canal, with a branch entering it from the t, 
passes from the left foreground to the central distance where 
it makes a turn. On either side the banks are low, green and 
wooded, and both show old Dutch dwellings and farm build- 
ings. Persons are seen on the shores, and in boats on the 
stream, rowing. ‘The foreground on the right discloses yellow- 
brown earth, and two men reclining on a short slope at the foot 
of an aged and gnarled pollard. A soft light is over the scene, 
penetrating the umbrageous masses and silvering the water 
in many modulations. In the ancient costumes are bits of 
color, and surfaces throughout exhibit a quietly-rich, agreeable 
quality. 


JAN BOTH 
Dutcu: 1610—1664 


No. 52—-LANDSCAPE WITH FIGURES 


| / 2 ) A Height, 18 inches; length, “1G 


THE left of the picture presents a middle-distance background 
in the mass of a great cliff of irregular face, over whose top 
small trees and bushes outline themselves against the sky, 
while on the right lower and rolling land extends to a far 
distance beyond the projecting point of the cliff. Over these 
broad lower slopes, from the right, comes the light, striking 
on and under a stone bridge across a stream in the foreground 
whose course is rocky. At the nearer end of the bridge two 
wayfarers have met, and stopped to talk, a man on a white 
horse, and a man walking with a staff and leading a dark horse 
burdened with heavily laden paniers. At the roadside two 
heavily cloaked men are chatting, one seated on a bank. 


AELBERT CUYP ee ke 7) 
Durcu: 1620—1691 
No. 53—-WINTER: HOLLAND 


y / Aad or Height, 18 inches; length, 2 


Tue Dutch are out for enjoyment on the glistem 
broad river is frozen over, and on either side are 
ings of a town on the low shores. On the right, red brick walls 
and redder tile roofs come down close to the foreground, a 
tower supporting a windmill is planted at the river’s edge, and 
an archway gives access to the ice field. Dignified burghers 
ride in sleighs drawn by white and brown horses, among the 
skaters of various sort, and some of the skaters are pushing — 
elders in hand-sleds. The sky is clouded and the merrymakers 
are well wrapped for the winter atmosphere. 


| Signed at the lower left, A. Curr. 
Purchased from Messrs. Cottier & Co. 


a 
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; 
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ia 
4 


AART VAN DER NEER x2 20 
Dutcu: 1603—1677 rope! 


No. 54-DRAWING THE NET BY MOONLIGHT 


. Height, 181% inches; length, 27% mimes 

S00 oe i ter ere 
Ir is a glorious moonlight night of ancient times in Holland, 
made permanent. ‘The radiance is as fresh, the air as clear, {as 
on the most poetic moonlight night just seen. ‘The scene is 
peaceful, restful and refreshing, laid along the banks of a slow- 
moving river, which passes through a prosperous city asleep. 
At the left is the point of a bank or an island; off it at the right 
a man is raising a net, the moonlight making the water glisten 
around him. ‘Toward the further bank sailboats are getting 
under way; on shore a small fire is burning red, and lofty gables 
lift their peaks above humbler roofs. ‘The moon silvers the 
edges of many clouds, aloft and banked along the horizon, and 
between the towers of churches on the two shores a sailboat is 
seen making toward the river’s distant mouth. 


Signed at the lower left, A. V. N. 


Purchased from Messrs. Cottier & Co. 


JURRIAAN VAN STREEK 
Dutcu: 16382—1678 


No. 55—STILL LIFE 


/ () oo Height, 271% inches; width,~221/ incl : 


N the corner of a table a fluted and nena dish of silver or 
gold contains a cool, Juicy lemon partly peeled, a warm-colored 
orange and a luscious slice of orange, and a small pear and 
sprig of leaves partly in shadow. At one side is a loaf of bread, 
near a tall nautilus cup. Further back a tall tapering glass is 
partly filled with wine, and stands beside a wine pot of blue and 
white porcelain. 

Signed at the lower left, J. v. STREEK. 


Purchased from Messrs. Cottier & Co. 


~P. VAN DER VELDEN 


Dutcu: ConrEMPORARY 


No. 56—EV ENING. 


Crioups fill the evening sky, save where they break away above 
the moon, and patched masses of them are moving across the 
face of the orb. It is a night of the full moon, and although 
its form is screened by the gray vapor—which is made luminous 
all about it—the radiance penetrates to a winding river or canal 
that twists through the center of the picture to the foreground. 
The dark green surface of the water becomes a silvery white 
with the reflections; the figure of a man in a boat may be dis- 
cerned in the shadows, and the glint of red lights on the dark 
banks. 


Signed at the lower left, P. vAN DER VELDEN. 


Height, 28° inches; eG “op 
oe 


JAN VAN GOYEN 


Durcn: 1596—1656 Sea re 


No. 57—A RIVER IN HOLLAND 


Height, 28 inches; length, 46 inches 


Sia 


Tux stream is broad and of gentle current, its surface if ‘ 
ruffled, and reflecting soft tones of color from the objects on . 


the farther bank. Its course is from the right foreground 
leftward and away to its mouth in the distant sea, where a few 


sail are seen at the left off a point, while at the right the spire — 
of a church comes into view above some woods. From the fore-— 


ground to these woods the right bank of the river is varied. A 
road along it near at hand mounts over an arched bridge above 
a narrow stream flowing into the river, and two men are seen on 


the bridge rise, one on horseback and the other walking with a 


staff. Iarther along are steep-gabled houses, and another way- 
farer trudges forward with a load on his back. Beyond him a 
boatload of fishermen are putting out from the shore, hauling 


up a seine. At the edge of the nearer bank, which crosses the 


foreground, are three cows, a line of traps and nets, and some 
water birds. The sky is light, and massed with rolling clouds 
touched with color. | 


i‘ pte 


JAN VAN GOYEN kA 
Durcu: 1596—1656 9 


No. 58—BEACH AT SCHEV ENINGEN ie 


Height, 42 inches; length, 58inch 
7 CEE xs 7 , a Qn 
BEHOLD the now famous plage in simpler times 166 ppaous 
not, one may believe, less joyous, if in wholly different man- 
ner. We have heard still living oldsters tell us of when Coney 
Island was even more primitive—lacking, to be sure, some two 
centuries of color and costume. The broad, flat beach of yel- 
low sand is mellowed and browned with rich-hued shadows, and 

in the sunlight the atmosphere sparkles, though not with sum- 
mer’s heat, as the habit and attitudes of the numerous and 
complex company foregathered attest. The people are for the 
most part of the vicinage, peasants and fisher-folk in democratic 
assembly, with a few of the greater ahorseback or in a six-horse 
coach. They sit, stand or ramble about the sands, and in their — 
apparel are pleasing tones of pink, green, yellow, blue, gray. 
To left is the pugnacious bluff of an obstinate dune that the 
sea has not been able to subdue, surmounted by a rough-hewn 
shelter, and on the beach and in the offing are numerous sailing 
boats of the hardy fishers. Rolling clouds mount high in the 
sky over a pale turquoise sea. 


Signed at the lower left, v. GoyEN, 1649. 


Gea naa 


Rs 


IE 


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eter. 


ae 


SECOND AND LAST EVENING’S SALE 
THURSDAY, FEBRUARY 4, 1915, 


IN THE GRAND BALLROOM OF 
THE PLAZA 
FIFTH AVENUE, 58tx ro 59TH STREET 


BEGINNING AT 8.15 O’CLock 


G. BONNEMAISON 


Frencu: NINETEENTH CENTURY 


No. 59—THE HAYSTACKS J 


yy ae go Height, 11 inches; leng Sigs ep 
AAAB ME 


Tue light of an autumn day is waning, over the French coun- 
try side, a broad wooded hill is dark green against the horizon, 
and white clouds just above it lighten a gray sky. The earth 
and stubble of a harvested field are brown in the foreground, 
its border in the middle distance is green and yellow. Here 
two haystacks of rich, warm hue rise in front of red-brown and 
dark-mahogany farm buildings, from one of which gray smoke 
curls above a chimney against the green woods. A farmer 
is driving his flock of sheep up a short incline on the left. 


Signed at the lower left, BoNNEMAISON. 


Purchased from the late Daniel Cottier. 


EUGENE LOUIS GABRIEL ISABEYe. 
FRENCH: 1804-—1886 | va 


No. 60—A MEETING IN THE WOODS ibiot 


JB tt Height, 1044 inches; pee Sip jure el 


Ir is just at the edge of the woods that the meeting takes place, 
a rencontre of a cavalier and his lady, both mounted, with three 
ladies out for a stroll, escorted by a gentleman in red coat and 
loose-legged boots, who though spurred is afoot to bear them 
company. ‘The ladies walking are all in voluminous skirts and 
cloaks—red, yellow, dove-blue and white in their tints. Of the 
equestrians the man, on a red-brown horse, is clad in red and 
buff, his lady, on a cream-white mount, in a dark waist and long 
flowing deep-yellow riding-skirt. 


Signed at the lower left, K. Isanry, 62. 


Purchased from the late Daniel Cottier. 


AUGUSTIN THEODULE RIBOT 
Frencu: 1823—1891 


No. 61—GIRL AND DOG 


ova ee Height, 11 inches; wid tf) (ee Y (hack 


AGAINST a ground of olive and mahogany-brown a young girl 
is portrayed at three-quarter length, standing. Her figure, 
receding into the shadows, almost vanishes in or merges with 
the background. Her head is bent well forward, as she looks 
down to pet an affectionate collie. Light from the left illu- 
minates her plump pink cheeks and strikes upon her hand and 


the head of the dog. 
Signed at the upper right, Rigor. 


Purchased from the late Daniel Cottier. 


Za Oe ae 


MATTHEW MARIS 


D 1835 h et 
DUTCH: a ie A pA™ eG 
No. 62—A CORNER OF THE HAGUE y-* 

: aie 


Height, 7% inches; | 


th, 1134 incl(ee) 


On a bridge in the right foregr small figures are seer{ and 
other figures appear at the left, \along a bank of the canal ‘which 
passes under it. In the canal aré brown boats, and the sluggish 
water takes varied shadows and reflections. Its farther bank is 
a soft, moist green, paralleled by a narrow road or street which 
is lined with brown and white houses with red and green roofs 
and lantern-like chimneys. ‘Two tall windmills rise above the 
roof lines, and the antique-looking scene is bathed in a subdued, 
yellowish-hued glow—as of a light of vanished ages. 


Purchased from the late Daniel Cottier. 


Pook. THEODORE ROUSSEAU 
Frencu: 1812—1867 


No. 683—STUDY OF SUNLIT WOODS 


—/s Height, 5°4 inches; length, in” 
/ clo vam ECope 


THE artist has presented a morceau of delightful attraction; all 
the bigness of a large landscape contained within thumb-box 
dimensions. ‘The spot chosen is the edge or entrance of an 
open wood of tall trees, bunched near the center of the compo- 
sition and well back, the ground around them a fresh green 
field of irregular surface and varied herbage. A slant of bright 
light from a lowering sun back of the spectator at the left, 
strikes upon the foliage, which has begun to show autumn hues, 
and penetrates the woods a little way, accenting the trunks of 
trees within. A figure is suggested in a road a two 
hummocks in the middleground. L. £ ~Cr 


Purchased from the late Daniel Cottier.” we,’ 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 . (e 
No. 64—-THE BOUQUET 
) ip Civtee Height, 13 inches; with, 8 neha < 


SEATED easily in sylvan seclusion, a/pensive and longing yo 
French woman with large, deep eye’ and full lips, is flanke S 
two cupids, one of whom she caresses, drawing him against her 
thigh. She is facing the right, three-quarters front, gazing at 
a bouquet of many-colored flowers lying on her knee, her fair 
head tilted forward throwing part of her face into shadow. 


Purchased from the late Daniel Cottier. 


-ANTOINE VOLLON 
Frencn: 1833-—1900 


No. 65—AT THE WATERSIDE 


(¢_ = s- Height, 91% inches; length, inc 
ee ( Boner 

A skKETCH freely done, and with the charm of freedom, and of 
the quick, spontaneous record of a motive offering itself with 
color grateful to the eye. Tall buildings of irregular outline and 
roof-levels project from the left, beyond a water foreground, 
massing themselves in tones of rich brown and soft gray against 
a cream-yellow sky of late afternoon. Details are eliminated as 
the observer looks against the light, the brown here and there 
lightens to pinkish hue, and shadows darken to a rich smoky 
black, while in the stream a black-hulled sailboat is lying. 


Signed at the lower left, A. VoLuon. 
Purchased from Messrs. Cottier & Co. 


ALEXANDER H. WYANT, N.A. 
Nar 1836—1892 


No. 66—LANDSCAPE AT EVENTIDE 


/ i) Pal ee Height, 9 inches; ee i i, ie 


Broap fields in a low, rolling country, all but treeless, spread 
to a far-off low horizon, their grassy green carpet cut with lines 
of brown, and the whole landscape darkening in the shades of 
evening. ‘To left in the foreground a short and slender tree 
bending in a breeze, and some low bushes near it, carry on the 
green and brown notes. <A rill threading the meadows is traced 
from a pool close in the central foreground, in which the white 
and rose of an after-sunset sky are reflected. The sky lights 
are fast being obliterated by swiftly moving clouds that sweep 
low over the land, threatening an evening shower. 


Ho Aawrd Signed at the lower left, A. H. Wyanr. 


en SR Me ROEM IO 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


No. 67—THE LOVERS 


Wh, ie 2.5 — Height, 1234 inches; width, 7 1 (i hesf 
AGAINST a background of green, brown a yellow, suggest- 
ing woods, two lovers are standing, indulging in sentimental 
dalliance. ‘The young woman is gowned in soft yellow which 
glows in the sunshine, and she willingly bends her head toward 
her lover, who seems to contemplate a respectful salute. He is 


red of hair and slight beard, and is garbed in brilliant deep red. 


G, 


Signed at the lower left, N. Diaz. 
L : eye 1 Mey oO » » (/ hat 
Purchased from Messrs. Cottier & Co. Lintiny /§&sfa § S40 


00, ,o— 


| ee 


Frencu: 1796—1875 


No. 68—LANDSCAPE 


LSetof ee Height, 14 inches; width, pis ingle . 


T'HE spectator is led into more or less open forest land, 
a screen of trees crosses the line of vision, all but blottin 
the sky. Between the trunks are glimpses of horizon clouds 
in a rosy glow. In the foreground a peasant woman kneels at 
the side of a spring, and beyond her the shadows of the woods 
fall upon a green sloping bank. 

Signed at the lower right, Coror. 


Purchased from the late Daniel Cottier. /7 b8 n9 ‘1 CED « 


ANTOINE VOLLON 


Frencu: 1833—1900 


No. 69—PORTRAIT OF COROT’S SISTER 


Ist 4 
SucH a portrait as is done by one artist for Another or by a 
painter for himnself-—executed in utmost freefom, sketchy and 
studious at once, a serious studio diversion bespeaking the joy 
of doing. ‘The portrait of a large woman in mature life, with 
light complexion, and a mass of yellow hair done loosely about 
her head. ‘The folds of a bow of light green ribbon projecting 
here and there adorn and set it off with practised carelessness 
and success. 


Height, 934 inches; width, 7 es 


Signed at the lower right, A. VoLuon. 


a 


SU-O qo Height, 184% es 12 inches 


JACOB MARIS : 
Dutcu: 1838-—1899 V- 


No. 7O—ON THE CANAL: HOLLAND 


THE canal, a narrow one entering the picture 
passes along the middle distance, its surface sil 
tions. The pale blue sky is almost obscured by white and gray 
shifting clouds, some the vestiges of shower-clouds, and earth 
and atmosphere are moist. In the foreground a man in rough 
dark clothes is seated sidewise on the back of a plodding gray 
horse, in the brown, grass-edged tow-path, and the towing line 
trails out of the picture on the surface of the water. 


Signed at the lower right, J. Maris. 
Purchased from Messrs. Cottier & Co. 18 83 - f$looo ~ 


cd 


NARCISSE VIRGILE DIAZ DE LA PENA, 
Frencu: 1807—1876 yr 


im 


No. 71—FOREST OF FONTAINEBLEAU \ 


cy 7S Height, 914 inches; length, 1414 inches 


A ScENE at the forest’s edge at sunset. The woods are on 
right, the dense foliage blotting out the sky. ‘The rest of 
picture is broken land and wild, covered with green and russet 
growths, with here and there a gray rock. The sky at the left 
is dark with clouds, while from the center come brilliant sunset 
reflections, which accent lightly the trunks of the outer forest 


trees. 
Signed at the lower left, Diaz, 1874. 


Purchased from the late Daniel Cottier. 


JULES DUPRE 
Frencu: 1812—1889 


No. 72—MARINE ~ 


i ot isn os Height, 1114 Tee Aen pea ker iC. 


Ons of the rare and vigorous marines of the great landscapist, 
which are seldom come upon. In this one a small two-masted 
sailing vessel observed close at hand is tossing in a turbulent, 
choppy sea, all canvas up, several dark figures seen aboard her, 
one marked by a spot of red. The sails are creamy-white and 
a gray-brown, in a strange light that colors a stormy sky and 
overspreads the wind-blown waters. These are light where 
the wave crests break about the sailer, and dark in the dis- 
tance where is seen the black silhouette of a large vessel also 
under way. 

Signed at the lower left, Jutes Dupre. 


Purchased from the late Daniel Cottier. 


ALBERT PINKHAM RYDER, N.A. 
AMERICAN: 1847— 


, No. 73—“THE TOILERS OF THE SEA” . 
| a a) cae Height, 114% inches; ma bs RAPE 


| . Tue full moon, straight ahead and not far above the 
lies within a hazy ring, in a sky which appears greentsh-blue 
behind a gauzy, vaporous veil. Both above the moon and low 
along the horizon are gray-white cloud-banks, and spread be- 
low is a broad expanse of lightly-tossing dark-green sea, while 
| in the foreground the splashing waters turn white about a 
scudding sailboat in which two men are made out. The painter 
explains his picture in verse: 


“With the shifting skies, 
| Over the billowing foam, 
| The hardy fisher flies 


To his island home.” 


Signed at the lower left, Ryver. 


Purchased from the late Daniel Cottier. 


ALEXANDRE GABRIEL DECAMPS 
Frencu: 1803—1860 


No. 74—-INTERIOR OF A TURKISH CAFE 


h, 16 inches ) ( 


Tuer room has hazy atmosphere mystic suggestion. ‘Tw 
large pillars give the space beyond them the effect of a reces 
or alcove. Figures are observed there, in fez and turban, and 
a broad slant of sunshine brightens the wall, with the effect 
of rendering more hazy the partly shadowed larger portion of 
the room. Here a patriarchal ‘Turk in white and mixed colors 
sits cross-legged on matted rugs. Floor and divans are covered 
with Oriental stuffs of rich but quiet warm colors, and the 
tones throughout are mellow. 


but ess Height, 18 inches; ler 


Signed at the lower left, D. C. 


Purchased from.the late Daniel Cottier. 


J. FRANCIS MURPHY, N.A. 


AMERICAN: 1858 f 


df, 
No. 75—AUTUMN 


15ST _-s-s Height, 12 inches; enginf he avd Tee 2 “fe 


OnE of the always delightful early Murphys, more rare than 
his later productions—the landscape not so copiously veiled in 
abounding lachrymal mist. Here is autumn in the American 
fields, when the color is beginning to come and the air to fill 
with the characteristic vague impalpable haze. On the left is 
sloping land, with wild uncared-foor herbage turning brown, 
with inclination to red. Here a large tree and a lesser one 
with a double trunk are growing, their tops rising out of the 
picture, the mass of leafage still green, and at their base appear 
a few wild field-flowers, near a small pool. 


Signed at the lower left, J. Francis Murpny, ’89. 


Uy) wr We 


0 set ‘ : YN | | Be : -v 
= € we i 2 \ \ 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencri: 1807—1876 


No. 76—F LOWERS 


4 Seeger a: Height, 144% inches; sift df aa pes. Le | 


Roses and other flowers, cut and shown en masse rather than 
as a formal bouquet, almost fill the picture, against a neutral 
ground and background. Pink ones and red ones, yellow, 
brown and blue, with here and there a suggestion of the green 
leaves, they nestle against one another or stand out from stems, 
a modest profusion of loveliness bathed in a soft light. 


Signed at the lower right, Diaz. 


Purchased from the late Daniel Cottier. 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1817—1878 | | 
Ww 


Height, 914 inches; length, 1p inc 
(eo . 
£0 toes wal 
Dusk is settling over a flakjlandscape in the country. T 


cloudy sky is already ‘asi save for a lingering glow 
touches of sunset-rose near’ the horizon, whose reflection fur- 
nishes such light as there is over the land. In a field at the left 
a slender detached tree is seen. Nearer by, a line of short trees 
of thick foliage borders a winding road that leads away from 
the spectator towards the sunset. A shepherd and his flock 
are discernible, making their way along the road toward distant 
barns, and on the right are groups of trees. | 


No. 77—DEPARTING DAY 


Signed at the lower left, Dausieny. 


Purchased from the late Daniel Cottier. 


y; bo Oren A 


alii ea te 


MATTHEW MARIS Le 7 ae 
DutcH: 18385— if e i st ( 


No. 78—NAAR DE NATUUR 


ey ro Height, 171% inches; width, ee de eye 
To © through an open doorway, one sees the aan leaves 
of a grapevine, yellow-green in brilliant sunlight, santa a 
gray-white wall. Within, standing to left of the doorway, on ( 
a red-tile floor, a Dutch girl dressed for housework leans with ) 
her back against a green-topped table, and is seen in profile to : 
the right against a white-curtained window. OU 


Signed at the lower left, M. M., ’63. 


Purchased from the late Daniel Cottier. 


7s) | ¥ y : 
FCO Fr OFS Nee 


FERDINAND VICTOR EUGENE 
DELACROIX 


Frencu: 1798—1863 


No. 79—STUDY OF FRENCH FARM HOUSE 


; Height, 1114 inches; length, 17%4 ingen ee 
Gri yaa : 


Ons of the low farm cottages of France is pictured, occupying 
almost all of the canvas under a light but clouded sky, with a 
narrow foreground of dark green grass. The house has plaster 
walls, white and gray, with structural beams showing, coarse 
wooden doors and but a single glass window. Its steeply slop- 
ing thatch roof is a rich, warm brown, with vines and other 
green growths sprouting from it, displaying special luxuriance 
about the chimney. Against the front wall are farm imple- 
ments, and a female figure appears seated or kneeling on the 
ground at some task. 


Purchased from Messrs. Cottier & Co. 


Se ee 


NARCISSE VIRGILE DIAZ DE LA PENA. 


Frencu: 1807—1876 o Me 3 
\lo' ‘ 


No. 80—CATTLE AT SUNSET 


3 / IF ae Height, 11% inches; length, 18 anche 
Eieutr. cows of various colors are seen in a group at the 
approach of evening, assembled at a pond in the flat foreground 
of a hilly pasture. Beyond them the higher land, sloping from A 
the right, forms a clear line, treeless, against the evening sky. a 3 
x j 


The grass of the pasture is dark green, relieved by brown 
bunches of weed. The gray clouds in the fading green-blue 
sky are golden-edged in the flare of sunset, and three of the 
cattle, standing athwart the view, are in bold silhouette against 
the glow. ‘The other cows, black, white, red, brown and tawny, 
are standing in or near the water, whose surface is colored by 
many reflections. | 

Signed at the lower left, N. Dtaz. 


Purchased from the late Daniel Cottier. out 


~ 


MARIS AND MONTICELLI 


MATTHEW MARIS ae ys 
Dutcu: 18385— | Vv 


ADOLPHE MONTICELLI 
Frencu: 1824—1886 


No. 8I—“HE LOVES ME, HE LOVES, ME NOT?_ 


de dog wee" se to 


LOC et Height, 17% nce ON is yun ip : “3 


THREE graceful lovesick maidens fair are at the ancient harm- , © 


less game of destroying daisies to build sentimental dreams. 
They are gathered in secluded intimacy at the edge of a thick 
green wood which forms the background, with a patch of a sky 
of swirling clouds visible in a corner. Garlands deck their un- 
bound hair, which falls about their shoulders—the center girl 
an ashen blonde, her companions’ tresses red. 'The blonde one, 
dressed in white and seated, is plucking the petals, one comrade 
in mahogany-brown and red seated beside her, while the other 
in a rich blue-green is standing, looking over her shoulder. 


uate 


Purchased from Messrs. Cottier & Co. /989 4 a PN OTe 


LOUIS METTLING 
German: 1847—1904 


No. 82—FRUIT 


2 7 oe Height, 15 inches; Vie Cie 


AGAINST a rich, dark mahogany background, absorbent of the 
light, are disposed fruits of varying color, a dish and a wine- 
glass. ‘The dish holds huge bunches of luscious grapes of the 
white variety, some appearing a delicate green, some in the con- 
centrated light showing a golden translucence, and others re- 
turning a deeper green through transparent shadows, while at 

the back lies a bunch of black grapes. 


Signed at the lower left, L. Merrutne, *76. 


Purchased from the late Daniel Cottier. 


ADOLPHE MONTICELLI 
Frencu: 1824—1886 ra 


iv 


No. 883—DOLCE FAR NIENTE 


34 ot e¢ ~=—s—-s Height, 18 inches; Me we "Beret pew 


A. coLor revel, a group of graceful ladies made its excuse fy 
occasion. ‘There are five of them and they are good to look 
upon; the artist has in this canvas allowed us to see their 
features, a generosity which he does not always exhibit. He 
finds them in a glen, or sheltering hollow, in the open country 
in a kindly land—a quiet retreat open to the skies and sunlight. 
Here, recumbent on the grass, they are idling at luxurious ease, 
appareled in soft costumes of rich hues, a vision of chromatic 
loveliness. 


Purchased from the late. Daniel Cottier. fey ginny /f ies 
é "ee p # i 


wy # 


FERDINAND VICTOR LEON ROYBET 
FrencH: 1840— Bre 


No. 84—SPANISH GYPSIES 


pL cT7 oo Height, 1814 wmches; ee inchgs 


Tue shades of night are falling, and dark clouds in the sky 
are but faintly lighted by diffused rays from an early, thickly- 
screened moon. ‘Through the gloaming come a man and 
woman of sturdy gypsy cast, seen close at hand at three- 
quarter length, almost abreast, the woman slightly advanced. 
Some lingering light falls upon her, revealing her competent 
figure and the rich colors of her picturesque costume. 


Signed at the lower left, F. Royser. 
Purchased from Messrs. Cottier & Co. 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


No. 85—THE SUN WORSHIPPERS 


Height, 12 inches; length, aes inch 
STO vt 


LBAM BI 

‘T'URBANED worshippers of the solar déity : are Seated for the 
matutinal devotions on the broad brow of a desert cliff. The 
stony ground is flat, broken with huge slabs of rock, which 
add their varied notes of gray to the yellow earth, while on the 
right a slightly higher patch of ground is carpeted with gray- 
green and yellow herbage. ‘The throng of devotees includes 
men, women and children, kneeling, seated, standing, many 
with upraised arms and spread palms, greeting with adoration 
the bursting wonder of the god of day. ‘Those in the far line 
on the brink are seen in silhouette, the groups at either end in 
shadow against still-dark clouds, while the figures at the center 
are blazoned against the glory of the sunburst that is turning 
the clouds to white and tinting them with rose. ‘The apparel 
of the dutiful votaries is of rich stuffs and colors—red, green, 
blue, deep yellow, white, and warm brown. ‘The figures for 
the most part are seen perforce in profile or in back view; a 
few face the direction of the spectator. : 


Signed at the lower left, N. Diaz. : 
Purchased from Messrs. Cottier & Co. x Sor 189 0 Ee 4 Boon g 


Baio oO = 


CHARLES FRANCOIS DAUBIGN)S 
_Frencnu: 1817—1878 ? aye 


No. 86—EVENING LANDSCAPE | — hs) : 


Height, 1144 inches; len h, 2334 inghes 


A BroaDd foreground of water is Silvery and colorful with the / 
reflections and shadows of clouds, green banks, trees, and the / 
grasses growing in its shallows. ‘The bank on the right is a 
mound crowned by a thick wood whose trees mass dark against 

an after-sunset sky tinged with rose. ‘The light slants upon 

the left bank, which is thickly studded with short green trees. 
Towering above them are two detached tall poplars, in black 
silhouette against the sky, their long shadows streaking the 


silvery water. 
Signed at the lower right, DauBieny. 


Purchased from the late Daniel Cottier. 


¢ OO Neher 


ieee ei ree eee en oe ee 


HENDRIK WILLEM MESDAG 
Dutrcu: 1831— | : 


No. 87--DRIFTING ASHORE 


é ‘i 16, Height, 201% inches; width 1514 inches (? ah: / y j 
AL HEAVY storm has come up at sea Ra aaern( Dutch sailing 
vessel with brown and gray sails has been caught upon a lee . - 
shore. She is seen head on, already on the sands, with waves 
breaking over her and the spindrift flying high up the rigging, 
her canvas not yet dropped. A man from shore is trying to 
approach her on horseback, forcing his horse into the smother. 


Signed at the lower left, H. W. Mespac, 1876. 


Purchased from the late Daniel Cottier. 


JOHN CONSTABLE, R.A. 
Encutsu: 1776—1837 


No. 88—A WEIR ON THE STOUR 


s Height, 15 inches; length, 22 ee 
pose Riri One 


Tu ancient Stour, which while still a narrow stream passes 
Canterbury, is here seen somewhat broadened out at a bend in 
hilly country, the farther shore high land, the-nearer almost 
flat. On the farther bank a house with Gothic dormers, near 
which stand tall, well-mounded haystacks, is built low on the 
hill side, and a boat is drawn up close at hand. On the hither 
shore two figures of farmer folk seated on the brown earth — 
are intent on something at the water’s edge. ‘The rippling sur- 
face of the stream is a mass of modulated reflections, green, 
gray, blue, white, and in the foreground is a lock, or. weir. 
_'Trees near at hand are brown, and distant ones are green, the 
sky is full of moving clouds, white and gray, fast-drifting, 
and the atmosphere is clear, moist, fresh and sparkling. ‘The 
surface qualities in this Constable are characteristically and 
notably engaging. 


Purchased from Messrs. Cottier & Co. Amin) hia ha ae mm 


FRANCOIS SAINT BONVIN. 
Frencn: 1817—1888 


{ No. 89—OLD AGE HAS ITS SOLACE 


bp ou Height, 20% Was width, 13% Bete . : | 

KNITTING in quiet conterit, an elderly woman who hfs seen a 
vigorous life is seated in a rush-bdéttomed straight-batked arm- 
chair, facing to the left, three-quarters front. She is in a black 
gown, with loose sleeves tightening at the wrists, and is re- 
lieved against the dark, shadowed background of the room by 
a shoulder-wrap, cap, and apron which hangs in voluminous 
folds, all in a mellow-toned creamy white, the cap being bound | 
by a ribbon of dull red and green knotted in a bow above her 
forehead. Her well-lined but little-wrinkled face is swarthy 
and her cheeks are still ruddy. The light is concentrated upon 
her and reveals the corner of a table at one side and a metal 
carrier on the floor beside her chair. On her lap is the green 
and white article which she has been knitting. 


Signed at the lower left, Bonvin, 1889. 


Purchased from the late Daniel Cottier. 


ADOLPHE MONTICELLI 


Frencu: 1824—1886 
No. 90—AN ITALIAN FESTIVAL V: 


ao Height, 13 ee ae 2215 se Wy ee 


foc in the open with Nature, at the sentimental hour, a 
pleasure-loving company with the ladies predominating, clad 
in soft and brilliant flowing robes, are reaching the close of a 
happy féte. They are painted in the glowing colors of jewels 
liquefied. The meeting place is along the slope of a broad hill 
crowned at the left by classic architectural ruins, the assemblage 
in the foreground lighted, the upper slopes of the hill with- 
drawing into mystic shadows under a darkening, softly-glow- 
ing sky. The atmospheric glow, of dull-golden tone, is intensi- 
fied in the broad foreground, enhancing while it softens the 
lustrous surfaces of the luxurious gowns. ‘The festal company 
are disposed in various groups and attitudes, some reclining 
‘in somnolent repose, the balmy fatigue of pleasure. Under the 
shelter of the ruins a man seated on the ground is playing the 
mandolin. A gallant and a fair-haired maid in the back- 
ground are trending toward the dusky shadows of the dark 
green upper slopes. 

Signed at the lower left, MonvIcEL11. 


Illustrated in “History of Modern Painting,” by Richard Muther. 
Volume IV, page 138. 


Purchased from the late Daniel Cottier. 


Yn Term. 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1817—1878 


No. 91—“THE WATER SWIFTLY GLIDESiy ‘i 


: ; Height, 13 inches; length inghes \\ “ 
AO Oe ee eae 


In a blue sky which everywhere is lightly veiled, clouds o 
varied colors have gathered or are rising, and are spread over 
the greater part of the expanse. They are gray and mauve 
and white, and toward the right a light and sunny yellow well 
above the horizon, which is hidden by a nearby French farm- 
house group and tall, thick trees that stand around it. A soft 
light prevails over the earth. The buildings are gray with 
rich brown-thatch roofs, and they ramble on a bank of easy 
gradient—brown and green and marked by whitewashed 
stones—to a gray river of rapid current which bends sharply 
about the point on which the houses stand. The stream is 
broken in its hurry into wave-like rapids, the curling tips 
whitened by light reflected from the sky, and its farther shore 
is lmed with dark woods, a few of the tree tops only catching 
glints of light. 


s 


Purchased from the late Daniel Cottier. # ‘ 


Signed at the lower right, ey 


P. E. THEODORE ROUSSEAU 
Frencu: 1812—1867 


No. 92—THE WELL 


Height, 151% inches; length, 26 inches 


“How beautiful this night! the balmiest ee 
Which vernal zephyrs breathe in evening’s ear 


S45 g 6 Were discord to the Le +a io , 


Anp with what power Rousseau under the spell of the beauty 
expresses the subtlety and depth of it, the mystic charm, still 
mysterious in familiarity, the vague and pregnant suggestion 
in the ambient air, the allure of half-lights and leafy retreats 
under the soft lunar radiance, diffused over a rural landscape 
of woods and water, green grass and half-seen plants, and 
shadowy dwellings. To left the forms of houses under the 
shelter of trees outlme themselves dimly, gables and chim- 
neys seen against clouds which are themselves comparatively 
dark. The branches of the trees, spreading overhead, mingle 
with those of other trees on the right, and under the sylvan arch 
the moon is revealed, emerging from clouds with luminous 
edges, and on earth burnishing the mirror of a foreground rit 
stream. ‘Toward the right in the middle distance is a well, and (” pst 1 
a country maid is on her way from it in the direction of ee” Al 
houses, carrying water pails on a yoke. 


% 
ae re g 
Purchased from the late Daniel Cottier. Qr < F 


Whe: zs 
ra 


THOMAS COUTURE 
Frencu: 1815—1879 


No. 983—TETE DE FEMME 


— ge Height, 20 inches; width, 18\mches Y } 
y = oa LS VE OU ere Viel Lia 


PORTRAIT Of the head and nude shoulders of a woman of 
handsome figure, observed in a bland and kindly light against 
a neutral background of rich mahogany-brown with tinges of 
faint olive. Her figure is in profile to the left, slightly below 
the eye, a loose white drapery dropped from the nearer shoulder 
revealing softly-rounded breasts and a delicately modeled back 
in clear flesh tones and transparent shadows. 


— Signed at the lower left, 'T. C. 


Purchased from the late Daniel Cottier. 


CONSTANT TROYON 
Frencu: 1810—1865 


No. 94—4 PERCHERON 


. Height, 18 inches; aye 22 yee 49 
g 
Cela, 


A stuRDY gray horse of the Per ee be eed is standing across 
the picture, headed to the left, in the open air and sunshine 
before the soft commingled greens of a wood’s edge, at his feet 
a light clump of vagrant wildflowers. ‘The sunlight brightens 
his broad white back and slants across his stocky shoulder, 
throwing his nearer side into light transparent shadow and 
emphasizing the contrast with his dappled rump and brown- 
touched legs. His tail, rather full, reaches scarcely to his knees. 


Signed ae ‘the lower left, C. Troyon. 


Purchased from the late Daniel Cottier. Yun hi, SIT, i ~ 


—_—_—___, } W 


bs y ITO ge Height, 151% inches; length, 24 inches 


ADOLPHE MONTICELLI 
Frencu: 1824—1886 \ 


No. 95—THE FARMYARD 


In front of a low stable, of whose roof only the lower edge is 
visible, a large gray rooster and hen are leading a quiet, un- 
ruffled life in the warm glow of strong sunlight, and another, 
darker fowl is in shadow against a side building at the left. 
In the corner is a rain barrel. The stable is a yellowish white, 
with hints of rose, and its uneven roof of thatch or ancient tile 
is brown and black and gray and green and red, weathered 
and “barnacled,” and in the harmony of time softened in tone 
withal. The rudely built heavy wooden door is open, and in 
the shadows within a pair of expressive long ears are conspicu- 
ous. Coming down some stone steps at the right, outside, is a 
chubby small boy. 


Signed at the lower left, MonvIcELLI. 


t ° f Sey Se OP? f' , 
Purchased from Messrs. Cottier & Co. Andon /P§G 4 £ /Zoor 


AUGUSTIN THEODULE RIBOT : 
Frencn: 1823—1891 | rit y: 


No. 96—STUDIO OF THE ARTIST 


er ee. Ponta A. A 


A canvas of niet tones and restful qualities, and a certain re- 
strained artistic suggestion even apart from the technical aroma 
of the precincts. The studio is large and old-fashioned, and the 
spectator is looking at a corner of it, where light enters from 
the left through a tall window, over canvases on their stretch- 
ers standing on the floor within the deep embrasure. The walls 
are gray, with a flush of yellow above a yellow-brown or dark 
sandy-yellow floor; the gray continues in the ceiling, and the re- 
cesses are dark, with a mahogany note among the shadows. 
On the right an aged artist is at work upon a huge ambitious — 
canvas, a figure composition within a deep frame. He is paint- 
ing seated in a low wooden chair with carved back, and is well 
‘muffled in a great-coat or ample dressing gown whose ripe ma- 
turity is revealed in soft notes by a slant of the light across his 
shoulders. His hair and beard are gray and he wears an old- 
red cap. : | 


¥ - Signed at the lower left, Roce 87. 


lilustraved im “History of Modern Painting,” by Richard Muther. 
Volume II, page 429. 


Bunce from Messrs. Cottier & Co. 


Tes ae 


oth 


Reet 


<4 
$ 


* 


1 ied 


POPE PRs PEN et 


SSS SSS SS 


P. E. THEODORE ROUSSEAU 


FRENCH: 1812—1867 


No. 97—POOL IN THE WOODS 


( ae ”) oo Height, 16 inches; len Ro pee imches Lt4 


A canvas of rich, low-toned greens MZ, ere concealing rather 
than revealing a picturesque landscape nascent in their dark 
fecund seclusion. As it emerges to the studious sympathetic 
eye, a placid stream appears, tracing its courses between a por- 
tentous wooded bluff on one hand and a low bank and rounded 
hill on the other. In a shallow pool in the shadows at the base 
of the cliff a solitary figure is detected, standing in the water, 
fishing. Over the rounding hilltop, beyond a brown screen of 
sparse leafage, the turquoise sky is aglow with fading sunset 
light, turning white cirrus cloud-patches to golden yellow— 
stray reflections from them gilding the swamp-green pool near 
the figure of the lone fisher. At the foot of a green slope of © 
the bluff in the left foreground, rusty, gray and moss-grown 
boulders add their color notes at the border of the stream. 


Purchased from Messrs. Cottier & Co. 


2 Se e+ ESE Pee 


JEAN BAPTISTE CAMILLE COROT 
. FRENCH: 1796—1875 


No. 98—THE WOODMAN’S COT 


ra Height, 19 inches; igth, wnches a 

Tao a | He oer a : 

In the purlieus of a French forest, woodmen’s cottages with 
creamy-gray walls and roofs of pale red tile are snugly 
nestled in furzy underbrush—in the central middle distance 
one with steeply sloping roof crowned by a chimney from which 
light smoke issues; and far to the left, on the outskirts, is a small 
cottage-group. Down there, across flat land, the vista is clear 
to a joyous sky of delicate turquoise, abounding in cirro- 
cumulus clouds borne on gentle breezes, while nearer at hand, 
across the background, the forest raises its mass of feathery 
leafage high aloft, softly vibrant in the light airs. Across the 
foreground lies the seamed and knotted gray trunk of ‘a felled 
tree, a few withered leaves fluttering from its upstanding 
branches.» A bare-armed woman wearing a pink neckerchief 
and white cap is working at it, cutting fagots, and behind her 
a bent woodman with gray blouse and a red casquette is pick- 
ing his way about the grassy hummocks toward recesses of 
the wood. | 

Signed at the lower right, Corot. 


Purchased from Messrs. Cottier & Co. 
iy hy 
bly FTN 7) a. 


wean | 


ALBERT NEUHUYS é oa 
 Dutrcu: 1844—1914 - 


No. 99--DUTCH INTERIOR 


ae ( Cas 00 Height, 27 inches; width, 21 ~nches 
In the corner of a somewhat dimly lighted cottage ro 
placid Dutch peasant family is assembled, father, mother/and 
two young children. The mother faces the spectator, seated 
behind a small round wooden table and pouring tea from a 
metal teakettle into white and blue china cups. She is in a 
dark dress, with a bit of red around the throat, and a dark cap, 
and is seen against a reddish-brown cupboard. At the left, 
his chair pushed back, her husband is seated with legs crossed, 
smoking a short clay pipe, his cap on. He is in profile. He 
wears coarse brown trousers and a dark blue coat. Sitting on 
the floor is a little girl, in the traditional Dutch cap and short- 

~ sleeved frock, playing or perhaps sewing, and an infant in 
white in a board-built high chair on wheels, which is drawn up 
to the table, looks down over the side of the chair watching her. 
The floor is of reddish hue, mingled with gray, and on a rail 
along the gray walls are some decorated porcelain plates. 


Signed at the lower right, Aus. Nevuvys. — 


Purchased from the late Daniel Cottier. Gy ren Ge 


‘ 


JEAN FRANCOIS MILLET. 


Feeney lol ieee 5 a yi : 


No. 100—THE QUARRIERS we we 


(te? (Height, 29.inches; width, 2316 inches 
1b, S00} : te 

In the stern surroundings of the stone quarry there is avin” | 
on the work of the day; the artist views it as a demonstration 

of the might of muscle, the strain of labor, the ceaseless, un- — 
complaining grind of those who toil with the strength of the 
flesh, deadened to keener sensibilities. ‘The quarriers are two, — 
men of swarthy skin, stripped to the waist, one with reddish — 
hair who wears brown trousers and the other with dark brown 
hair, his trousers a strong full blue-green, a patch of white roll- 
ing over at the waist. Working as comrades the men form a 
group in deep rich tones of mahogany and the dark green, 
relieved against the great gray mass of the stone cliff rismg 
behind them beyond view, and the knot and play of their tense — 
muscles is steadfastly proved in the modeling. The light is 
subdued. The men are prying up a huge piece of rock by 
means of a long, heavy wooden post, one bearing down on it 
with all his weight and strength, one leg thrown over it and the 
light playing upon his bared back; his fellow partly in shadow — 

- below him, foot braced against a boulder, powerful body ex- 
tended, pulling downward on the bar with desperate might. — 


Signed at the lower ae J. F. Miner. 


nh Li) 
On the back ts the official seal: Ventu J. ne Meer 
From the sale of the artist’s effects, Paris, 1875. Catalogue No. 3. 


Purchased from the late Daniel Cottier. San oe hey ofl, ay, Pan a 


JOHN SINGER SARGENT, N.A., B.A. i 
AMERICAN: 1856—- “_ 


No. 101—A GIRL OF CAPRI 


La ae Height, 31 inches; width, 25 inches 
genet oe 


Sue stands, this girl of CMe tall and slender, leaning grace- 


fully upon a tree of peculiar shape—a slight trunk, which rises 
with an inclination to the height of her elbow and then bends 
in compound curves leftward and upward in such lines as seem 
formed to frame and support her supple back. She leans 
against it, back three-quarters to the observer, her right elbow 
drooping over the first bend, and her left arm extended along 
the trunk at the height of her shoulder, as the tree continues 
its wandering way upward. ‘The tree is gray and all but leaf- 
less; one sees only the gray rambling trunk, and a stunted 
shoot issuing from near its base, bearing a bunch of bluish- 
green leaves. These are relieved against the long mauve skirt 
of the maid, who wears a blue laced bodice over a white under- 
waist whose low neck and short sleeves reveal her clear dark 
skin. Her face is seen in profile to the right, light from above 
glinting upon her dark hair. The grass about her is a soft, 
delicate, yellowish-green, and runs up to a gray stone fence. 
Beyond the fence the background is a screen of foliage—gray- 
green or deep with shadows—against a white sky, with a 
glimpse of blue water caught between the lower tree trunks. 


Signed at the lower right, Joun S. SARGENT, Capri, 1878. 


My Maat 


ee | Se | 


JEAN BAPTISTE CAMILLE COROT , 
, — Frexcn: 1796—1875 | — 
No. 102--EVENING, LAKE NEMI 


4 Te pris Height, 851% inches; mT f. 34 per) oe 


SILVERY moonlight bathes the landscape, Luna in the hee 

silvery white, spreading her rayless illumination through a 
humid atmospheric haze. She is seen through thinning foliage 
across the outer branches of thick trees, which spring from a 
dark bank in the foreground that slopes down to the lake 
from the left. In the shadow of the bank a figure is observed, 

~ seated contemplatively, elbow on knee, head on hand. To — 
right in middle distance is the silvery-gray lake, reflecting in 
the lunar light the gray vaporous clouds below the orb; and 
full in the white light on the bank beside it is a tall building- 
group, through whose windows come small flares of red. 


Signed at the lower right, Coror. 
- Purchased from the late Daniel Cottier, E90 - BL 750 pee 


: SS Sa 


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FTO 


CONSTANT TROYON 
FRENCH: 1810—1865 


No. 103—MORNING: COAST OF NORMANDY 


ns Height, 36 inches; width, 24 mches | y 
In the softly brilliant light of sy eee in the summef 
time, Norman fishers have come down to the shore to mend and 
man their heavy boats, hauled up on the yellow sands of a cove, 
and be ready to put out when the tide comes in. ‘The brown 
and yellow sands, still sheltering pools of other tides, form the 
foreground across which one looks to an undulant turquoise 


a. . 
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SANE 


sea emerging from a milky Channel haze. The sky is filled | 


with dissolving masses of opalescent cloud, through which the 


sun struggles, burnishing the miniature wavelets at the shore — : 


line with brilliant white. To left a man in a red jacket sits’ 
patiently in his single-masted boat on the sands. To right a 
man in mahogany-colored coat and another in a blue blouse 


are working over a rowing boat, at the foot of the tall, green-— 
ish-hued falaise, whose jutting projections are touched with 


yellow by sunrays bursting through the clouds. 


Signed at the lower left, C. 'Troyon. 


Purchased ao the late Daniel Cottier. Lrivdlew) 18S9 &/heo ay 


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JACOB MARIS 
Dutcu: 1838—1899 


No. 104—4 TILLER OF THE SOIL 


De. Tt oe ean 1814 ape Ce ee 


Broap and low- lying, rolling gently in surface, a stretch 
the Netherlands sweeps across the vision, a low ridge close 
before the eye leaving only indefinite distance shorn of detail 
to be imagined beyond it, under a sky shrouded with light 
clouds which reflect a soft, warm glow. ‘The bank of the ridge 
is green with grass, and brown spears of weeds or bushes shoot- 
ing above its top silhouette themselves against the clouds. At 
its base, several feet below, is a brown plowed field, its edge 
the foreground of the picture. Here the tiller of the soil, work- 
ing toward the left, has halted his team, near the center of the 
composition, and struggles to adjust one of. the heavy, crude 

- instruments of Holland agriculture, his stocky horses stolid 
and motionless, his own stodgy figure a picture of quiet, 
plodding determination. ‘The horses are a black one and a 
white one. ‘The peasant wears a green-blue blouse, brown | 
trousers and a black hat and heavy sabots. 


Signed at the lower left, J. Manis. 
Purchased from Messrs. Cottier & Co. /¢ 6 fi = B S500 


ADOLPHE MONTICELLI 


Frencu: 1824—1886 : 


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No. 105—-LANDSCAPE AND FIGURES > 


Height, 1734 inches; length, p14, inches 


ae SY mea : | 
A SCENE of pomp splendor in a crystalling/atmosphere 
sparkling with the tones of gems. In a grove of/slender trees, 
beneath whose rich green foliage blue sky and white clouds 
are seen, a company of the great in courtly luxuriance are 
assembled on horseback, with guard of honor afoot. In the 
center two persons, one riding a brown horse and the other 
a white one, are proceeding away from the spectator. At 
the left men are drawn up, watching them pass, standing under 
a drapeau of deep ruby color near a barrier. On the right 
several other mounted persons are grouped under an emerald 
gonfalon, facing the spectator and the couple—man and 
woman—who are headed away. 


/] 


Purchased from the late Daniel Cottier. No Meee 76 ge 
ye au 


WILLIAM GEDNEY BUNCE, N.A. 
AMERICAN: 1840— 


No. 106—.A VENETLAN MOON 


( Height, 24 inches; pet ry inchgp 5 
oi iy vac La 


A TONAL canvas, of melodious notes. The Laguna is under 
the spell of moonlight. Clouds, of which the heavens are full, — 
are dispersed or dissolving, it seems, letting the moonlight 
through, enhancing and reflecting it and adding color to its 
golden radiance, without permitting the orb itself to appear. 
A. dark shadowy mass of domed church and campanile—it 
seems to be the San Giorgio group—stands out against the — 
luminous glow, its somber depths lightened by stray rays, and 
before it the dark green waters of the foreground are mottled 
with golden and brown reflections. On the right coming up is’ 
a lateen sail of rich mahogany hue, and astern of her in the 
distance rise other shadowy sails. : | 


Purchased from Messrs. Cottier & Co. 


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_MONTICELLI AND MARIS 


ADOLPHE MONTICELLI 
FReNcH : 18241886 


MATTHEW MARIS 
Durcu: 1885—% 


No. 107—A GALA DAY Yous 
ps Height, 20 inches; length, ee. 
Pane 


THE scene is laid in a spacious t AGS Fé rarlon. 
paths, softened by running streams, given classic semblance 
by statuary, but most adorned by the feminine loveliness 
assembled in rich robes of luscious color. Beneath the um- 
brageous canopy of soft green the air is pervaded by a mystic, 
imaginative glow, almost a haze, as of penetrant rays of rosy 
sunset suffused with gold; and in the foreground the golden 
accents are the more pronounced on the fair shoulders of ladies 
and the rich fabrics draping them. Here are a number of the 
fair, grouped in affectionate, reclining ease about a marble 
monument, standing and walking. Near at hand on the left 
are numerous figures in a boat, also in colorful costumes, 
across the water a gallant conversation is going on, and distant 
in the woodland allées are couples disappearing. 


Purchawed, from the late Daneel Cottier. Xndyrv IESE 81750 - 


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GEORGE FULLER, A.N.A. 
AMERICAN; 1822—1884 


No. 108—ROMANY GIRL ( ny ey Bie 


THE original ‘ ‘Romany Girl” of this painter. So much Ay 
been written of her, so familiar have her features becon (/ sO 
much just praise has voiced the admiration the painting has 
elicited, that it might be difficult, were it needful, to offer 
expression anew of thoughts which the eloquent canvas con- 
sistently evokes, or to dress a description in a new guise. 
Enough that she comes, the dignified, standing figure seen at 
three-quarters length, in the somber, appropriate surroundings ~ 
of forest, with charm undiminished, bloom unfading, luster of 
hazel eyes undimmed-——prescient, questioning wisdom of the 
ages and the hour in her face, a symphony of golden-brown 
and deep melodious green in her presentment. 


Signed at the lower left, G. FuLuEr. 
CBroben,. Glindecn tf aoe Le , 
Shown at the Memorial Exhibition of the Artist’s Works VA pril, 1884. 


Purchased from Messrs. Cottier & Co. g, ~ 
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WILLEM MARIS 
Dutcu: 1844—1910 


No. 109— DUTCH CATTLE 


ie a Height, 32 inchs Ok ie nc toe y 


In meadows of lush grass—a fresh, Bo green of spring- 
tide succulence-——a pool in the foreground has attracted three 
patiently laborious cows, who manifest a harmless and self- 
contained bovine resentment at the prying intrusion of the 
spectator upon a natural incident of the day. A red cow stand- 
ing in the water faces the observer, with lowered head, having 
drunk or about to drink, her shadow coloring the water before 
her, which is already tinged with the green and white reflec- 
tions of meadow-grass and sky. Approaching her from the 
left and seen in profile, a white cow with black patches about 
the head has also entered the water, and looks sidewise at the 
intruder before proceeding to the thoughtful deliberation of 
a draft. A tall spear of reed rises to the height of her back, 
where the light glistens on her coat, and behind her the third . 
cow is seen, a black and white one. Low dunes appear in the D4: q 
distance, and the low-lying country reaches far away. % | 


LOS, LEO AEE AMEE D IED te APE I i Do Ra ce Se 


Purchased from the late Daniel Cottier 


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ANTON MAUVE 
Dutcu: 18388—1888 


No. 110—MINDING THE COWS 


ees oO ce Height, pie inches ; eanue 4014 jnches 


DenszE foliage deep green in tone ee close at hand, its mass 
and recesses but little penetrated by the light, forms the back- — 
ground at the left and extends nearly across the picture, 
thinning out at the right where underneath the lessening leaf- 
age the eye may look to far meadows or dunes of Holland, 
green and white under a blue sky massed with white summer 
clouds. The wood and meadows are marked off by a country 
fence of board-pickets, gray, green or brown as weather has 
left them, traversing the picture in the middleground with an 
edging of fresh green grass at its base. In front of it, in an 
earth road which is the foreground, two cows are moving slowly 
toward the left, in the care of a plump Dutch milkmaid. A 
black and white cow on the inner side lowers her head toward 
the grass, and the nearer one, white with red shoulders and | 
neck, looks with a feeling of personal concern in the same direc- 
tion. ‘Their stolid attendant wears a dark waist, white under- 
waist and Dutch cap, a blue skirt and black stockings, and 
heavy gray sabots, and carries a switch. ‘The picture might be 
called, “Holland.” 


Signed at the lower right, A. Mauve. 


Illustrated in “Dutch Painters of the ALIX Century,” by Max Roose, 
Curator of the Plantin-Moretus Museum, Antwerp; page 8. 


Exhibited in the French and Dutch Loan Collection, Edinburgh Inter- 
national Exhibition, 1886. 


Purchased from Messrs. Cottier & Co. No Term a. 


wth -Fnag 


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“MARIS AND MOLLINGER 


MATTHEW MARIS 
| DutcH: 18385— 


GERALD ALEXANDER MOLLIN GER 
DutcH: 1833—1867 


No. 111—RETURNING HOME 


Height, 28 inches; lengip, 4 


foo = 

-Broapty the sea spreads along the coast of the Low ountries, 
and with a huge arm indents their shores; broad is the expanse 
of sky above them, and broad the foreground, where walk two — 


buxom maidens homeward bound. They are traveling asandy — 


stretch of lowland, its hammocks patched with green, and carry — 
a laden basket between them. Both wear voluminous brown 
skirts and light short-sleeved waists—the shoulders of one 
wrapped in red and of the other in green—and both wear the 
quaint Dutch cap. ‘The face of one is in profile, the other’s 
plump features come three-quarters front. Behind them the 
deep arm of the sea crosses the view—a sail seen at the right 
and low-flying gulls at the left—in front of a distant shore — 

populous with the buildings of an important port, the whole in 
a quiet, subdued light, while far at the left, off the farther 
shore, bright sunshine whitens the sea and glints on distant 
sail. The sky is robin’s-egg hue, with dissolving clouds of 
white and soft gray. 


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HENRY MUHRMAN 
AMERICAN: 1854-— a 


No. 112—THE TWO TREES: 
HAMPSTEAD HEATH 


17, od Height, 27 inches; length 35% inches Epa 

TuE picture is given substantially wholly to the study of two 
trees, which stand in the foreground and are viewed against a 
tall, rising bank of the heath, the foliage relatively dark against 
the lighter green grass of the hillside. ‘The details of London’s 
most popular resort for “Arry and ’Arriet are not exploited, 
the simple green flank of the background being crowned only 
with a dark line of suggested woods, at a break in which a gray 
and red building-group appears, high against the sky. 


Signed at the lower right, H. Muurman, 1890. 


Purchased from Messrs. Cottier & Co. 


CONSTANT TROYON 


~ Frencu: 1810—1865 aie 


No. 113—COWS IN PASTURE 


ea os Height, 3614 inches; width, 29 inc eae 
EventipE approaches, and level meadows of the Netherlands 
are already in the dusk of shadows thrown across the grass Uy 
the-tall trees of a green and brown wood, which enters the pic- 
ture in the right foreground, receding in the distance toward 
the left.’ In front of the woods a slant of late sunlight strikes 
across the field, brightening the succulent green flower-dotted 
grass and throwing into strong relief two sleek, well-nourished — 
cows with long coats. One stands athwart, headed left, a red _ 
cow spotted white, with opulent distended udder brought _ 
to view. The other cow is lying down—a white one, spotted 
black and. brown, with head turned to inspect the observer. _ 
In the shadows of the middle distance at the left a woman is 
milking another of the herd, a man bending over her looking on. 


Signed at the lower left, C. TRovon. 


Purchased from the late Daniel Cottier. ji i 
| $i Krewdh_ 


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American: 1822-1884 ; 3 Q 


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No. 114-LED THROUGH MEADOWS 
oi ot ee | Height, 54 inches edt: 36 anche 


OpEN fields, fenceless and treeless, Tae rolling in broad 
sweeps—a moorland prospect of wide reaches—are spread be-— 
fore the eye, meeting at a high horizon a sky in which a veil | 
of nebulous white cloud obscures the pale blue. Herbage is 
sparse, with occasional scraggly bushes or tall weeds rising © 
above the level of the green, yellow and brown earth. Close ~ 
in the foreground is a tall maiden with a red calf in leading, 
the bovine at the moment nibbling at a sprig of green on a — 
bush. The girl is bare-footed and hatless, her brown tresses — | 

_ being lightly blown in a gentle breeze. Her waist, low at the | 
neck and with shoulder sleeves which leave her long arms bare, 
is in mingled colors, with pearly-gray and golden-brown ap- | 
pearing, and is bound with a purplish-pink girdle. Her ankle- 
length skirt is brown and gray, with light pink touches. She 
carries a light switch broken from a bush. 


“Signed at the lower left, G. FULLER. | 
Purchased from Messrs. Cottier & Co. No fitch 


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THEOPHILE DE BOCK 


Bi 


Dutcu: 1850—1904 


No. 115—AN fest Ul MORNING IN HOLLAND 


ho ripe hae 46 inches; width, 28 anches 
weeks a gray sky, the cur tain of “ones lightening as he sun 
which it locks from sight gets higher in the heavens behind it, 
a stretch of flat farm country is shown, with trees and cottages 
and in the far distance a windmill. ‘The clouds are those of 
an intermittently showery gray day in spring, and have already 
spent some of their moisture in the night or early morning. 
Grass and roadway are wet and the atmosphere is moist. A 
brown earth road, marked off by white-topped posts, which 
fills the foreground, narrows in perspective and in the middle 
distance turns to the right and passes from view around a yel- 
low-brown house within a high dark brown fence. Straight 
ahead beyond the bend are green fields, and to left of them on 
the bend is a Dutch farmhouse, soft gray in color, with long, 
steeply-sloping roof. The roof of an extension is red-brown. 


The road is bordered with fresh green grass, and along it comes 


a peasant woman in a white cap. 


Signed at the lower right, 'THEOPHILE DE Bock, 776. 


Purchased from the late Daniel Cottier. yo het 


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FRANK MURA 
AMERICAN: 1860— 


No. 116—FISHING VILLAGE 


ia Height, 42 inches; vide el ae 


PicTURESQUE to a high degree in its promiscuous mass, ram- 
bling and broken lines, and colors which Nature and weather 
have developed into a low harmony, a European fishing village 
built close to the water’s edge comes down at the left to the 
border of a cove. At the right, across the water, is a low brown 
shore, with suggestions of shanties and piers or scows. ‘The 
village houses and small out-buildings bank up against each 
other on a low slope, their colors gray and yellow, red-brown, 
slate, white and green, with sundry variations; and a vagrant 
patch of green grass on the bank relieves the drab of a low- 
tide shore. Here are various boats, resting on the bottom, 
small boats and larger ones, and a man is leading a horse across 
the shallows in the foreground. In the middle distance a bulky 
sailing boat, brown and weathered, is tied up at the shore line, 


her gray, yellowish and reddish-brown sails, spread to dry, — 


rising against a sky filled with white clouds. 


Signed at the lower left, Mura. 


Purchased by the late owner from the artist. 


THERESE SCHWARTZE 
Dutcu: 1852— 


No. 117—THE ORPHAN GIRLS: AMSTERDAM 
Height, 68 inches; length, 79% inches 


- “The Lord preserveth the strangers; he relieveth. the 
fatherless and the widow; but the way of the wicked he — 


( oY — o¢- turneth upside down.” ; ze: a AG 


A Grour of pretty little girls /and dignified young women, 
dressed nearly alike, as in an institution, and in a quaint and 
interesting costume, are foregathered for the singing of a 
psalm—Psalm 146:9, an appropriate verse, is indicated on the 
wall over their heads. At the left one of the young women is 
standing, seen at near ‘ly full length, with back to the observer as 
and face a little less than in profile to the right, turning the ot 
music for a companion, who is playing the organ. The 
organist, occupying the center of the composition, is in profile 
to the left, a girl of sensitive features, one hand on the keyboard 
and one adjusting a stop. Just back of her at the right the — a 
sweet-faced young soloist, facing squarely to the front, with —__ a 
head and eyes raised, is singing, book in hand, and four of the a 
other younger girls are at her elbow, following the lines in 
her book or theirs, and all but joining in the singing, their 
fresh young faces viewed at different angles, The frocks of 
all are rich black and deep vermilion, and all wear fichus and 
most fetching caps—a characteristic headdress—in white of a 
notable quality. 


Signed at the upper left, Tutrtse SCHWARTZE. 
From the World’s Columbian Exposition, Chicago, 1898, where a 
medal was awarded it. 


Illustrated in “The Century Magazine,” July, 1898. 


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RTISTS REPRESENTED 


es 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


ADAN, Louis Ente 
Catherine de Médecis in Counsel 


BLAKELOCK, RauteH ALBERT, N.A. 


An Indian Madonna 


BOCK, THEOPHILE DE 
An April Morning in Holland 


BONNEMAISON, G. 


The Pool 
The Haystacks 


BOSBOOM, JOHANNES 
Interior of Church at Alkmaar 


BOSER, FRIEDRICH 


Devoutness 


BOTH, Jan 
Landscape with Figures 


BRISTOL, Joun Bunyan, N.A. 
Lake Champlain 


BUNCE, Wuu1am Gepney, N.A. 


Apples 
A Venetian Moon 


CATALOGUE 
NUMBER 


39 


10 


Oy 
Ne) 


33 


CATALOGUE 


NUMBER 
CLAYS, Pau. JEAN 
Morning on the Scheldt 32 
COLMAN, Samuet, N.A. o, 
A Sunny Afternoon, Port of Algiers wer 16 
Quimper AB 
CONSTABLE, Joun, R.A. | e 
A Weir on the Stour 88 
COROT, JEAN Baptiste CAMILLE 
¢ Landscape 22268 
~The Woodman’s Cot 98 
Evening, Lake Nemi 102 
COUTURE, Tuomas. 
Faust and Mephistopheles 17 
Téte de Femme 93 
CUYP, AELBERT 
Winter: Holland 53 
DAUBIGNY, CHar.Les FRANCOIS : 
Departing Day fie 
Evening Landscape 86 
“The Water Swiftly Glides”’ 91 
DAVIES, ArtHour B. 
Sisters He 
DECAMPS, ALEXANDRE GABRIEL 
Interior of a Turkish Café TA 


DELACROIX, FrErpinanp Victor EUGENE 
Study of French Farm House 79 


, 
: 
| 
| 


DIAZ DE LA PENA, Narcisse ViRGILE 


The Bouquet 

The Lovers v 

Forest of Fontainebleau 
EF lowers 

Cattle at Sunset 7 
The Sun Worshippers ¥ 


DOMENICHINO, Domenico Zampteri 
The Apotheosis of the Virgin 


DUPRE, J ULES 


Marine 


FULLER, Grorcet, A.N.A. 


Leading the Calf 
Romany Girl 
Led through Meadows 


GABAULT, A. 
The Bugler 


GIFFORD, Ropert Swatn, N.A. 


Landscape near Nonquitt 


GOYEN, JAN VAN 
Boatmen in Holland 
A River in Holland 
Beach at Scheveningen 


HERVIER, A. L. 
French Farmyard 


HILL, C. F. 
Landscape 


CATALOGUE 
NUMBER 


46 


72 


57 


19 


: CATALOGUE 
Aye NUMBER 

ISABEY, Eucent Louis GABRIEL 

A Meeting in the Woods | 60 


JACQUE, CHARLES Emits 


Shepherdess, Sheep and Landscape (In collabo- 
ration with Grorcres MicHEL) 38 


LATOUCHE, Gaston 
On the Beach 


LS) 


LOW, Wit. H., N.A. 


On the Seine | 25 
MARILHAT, Prosprr 
Old Tower at Cairo : 31 
MARIS, Jacos 
The Siesta 16 
V On the Canal: Holland | 70 
Y A Tiller of the Soil 104 
MARIS, MatrrHrew 
After the Christening 4 
A Corner of The Hague Nae Oe 
Naar de Natuur 78 
“He loves me, he loves me not” (In collaboration 
with ADOLPHE MONTICELLI) 81 
A Gala Day (In collaboration with ADOLPHE 
MOonrTICELLI) 107 
Returning Home (In collaboration with GERALD 
ALEXANDER MOLLINGER) 111 


MARIS, WiiLtem 
Dutcb Cattle 109 


MAUVE, AnTON 
Minding the Cows 110 


CATALOGUE 
NUMBER 


McENTEE, Jervis, N.A. 


“Where late the wild flower bloomed, the brown 
leaf lies”’ oT 


MESDAG, Henprixk WILLEM 
Drifting Ashore 87 


METTLING, Lovts 


Relics of the Past 14 
Fruit 82 


MICHEL, Grorcers 


Landscape with Figures 3 

Shepherdess, Sheep and Landscape (In collabo- 
ration with CHARLES EMILE JACQUE) 38 

The Heights of Montmartre 42 


MILLET, Jean Francois 
The Quarriers 100 


MOLLINGER, Gerratp ALEXANDER 


Returning Home (In collaboration with MaTttHEw 
Maris) 111 


MONTICELLI, ApnotpHE 


Returning from the Fields 20 
“He loves me, he loves me not” (In collaboration 
with MarrHew Marts) 81 
Dolce far Niente 83 
An Italian Festival 90 
The Farmyard 95 
Landscape and Figures 105 


A Gala Day (In collaboration with MartHEew 
Maris) 107 


CATALOGUE 
NUMBER 


MUHRMAN, HeENry | | 
Still Life: Fruit 24 


The Hay Field ; 27 

Filling up Pond, Hampstead | 34 

The Two Trees: Hampstead Heath 112 
MURA, FRANK 

On the Dutch Coast 44 

Fishing Village | 3 116 


MURPHY, J. Francis, N.A. 


Autumn 75 


NEER, Aart VAN DER 


Evening: Holland | AT 

Drawing the Net by Moonlight “SDA 
NEUHUYS, ALBERT 

Dutch Interior | : 99 
OSTADE, Apriaan VAN | 

Dutch Interior AS 
PORTIELJE, Epwarp 2 

The Butterfly } Ve#3 
RIBOT, Aveustin THEODULE st 

The Cook 6 

Girl and Dog | 61 

Studio of the Artist 96 
RICHARDS, Wui1am Trost, N.A. | 
| The Wissahickon 28 
ROUSSEAU, Prerre Evrenne Tutopore 

Study of Sunlit Woods 63 

The Well 92 

Pool in the Woods 97 


CATALOGUE 


NUMBER 

ROY BET, Frerptnanp Vicror Lton 

Abduction of Rebecca 18 

Spanish Gypsies 84 
RUISDAEL, Satomon 

Holland Landscape 51 
RYDER, Avserr Pinkuam, N.A. 

The Barnyard 9 

“The Toilers of the Sea” 73 
SAINT BONVIN, Francois 

Old Age Has its Solace 89 
SALVI (SASSOFERRATO), Giovanni Barrista 

Madonna and Child 48 
SARGENT, JouHn Srincer, N.A., R.A. 

A Girl of Capn 101 
SCHWARTZE, THERESE , 

The Orphan Girls: Amsterdam 117 
SMILLIE, James Davin, N.A. } 

Evening, High Sierras, California 36 
STEVENS, ALFRED 

Girl in White 12 


STREEK, JurriaAAn VAN 
Still Life 


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Or 


TILBORGH, Eerpius van 
The Winning Card 50 


7 TROYON, Constant 


A Percheron | 
Morning: Coast of Normandy 
Cows in Pasture 


TWACHTMAN, Joun Henry 
Winter Landscape 


VELDEN, P. VAN DER 


Evening 


VOLLON, ANTOINE 


“Rembrandt 
At the Waterside 
Portrait of Corot’s Sister 


WEIR, Jutian ALDEN, N.A. 
The Muse of Music 


WHITTREDGE, W orTHINGTON, N.A. 


Autumn on the Delaware 


WYANT, ALEXANDER H., N.A. 


Landscape 
Landscape at Eventide 


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